

Sartre and Camus, the two most world-famous, 20th century, French writers, form a legendary and inseparable couple. The two extraordinary thinkers propelled the figure of the politically engaged writer into the limelight.
Self
Self
Self
Self
Self

Sartre and Camus, the two most world-famous, 20th century, French writers, form a legendary and inseparable couple. The two extraordinary thinkers propelled the figure of the politically engaged writer into the limelight.
2014-05-22
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10.0The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
5.7The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.
7.8Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."
0.0A poetic exploration of three subterranean telescopes in remote regions of Canada, Japan, and Antarctica that reveal a new way of perceiving the universe from within. Underground, we are dreaming into the earth.
5.2A discussion between Jean Hyppolite, Georges Canguilhem, Paul Ricoeur, Michel Foucault and Alain Badiou on the subject of philosophy and truth. Curated by Dina Dreyfus.
Documentary examining the medieval myth of the Philosopher's Stone, a Holy Grail-type relic which supposedly held the key to alchemy and immortality. Many noted alchemists and adventurers searched obsessively for the artifact hoping to learn its powerful secrets, a quest which allegedly drove some to madness and others to celestial encounters.
7.1Two close friends' plan to execute a flawless crime is crushed when one of them inadvertently leaves his glasses at the crime scene.
Johan van der Keuken explains, "Some fifteen filmmakers were asked to make a film series in a relay style for a very popular variety program on Dutch television: each new program was to start from the last image of the previous program, developing the story from that image. It was necessary to work according to codes of the crime thriller. I 'sabotaged' these codes, following a close-up of a pistol, inherited from my predecessor, by a series of comic observations of my cat, accompanied by a text on the need to innovate methods of expression and communication in cinema."
7.3Documentary on the legendary martial artist Bruce Lee, with a focus on the production of his unfinished film Game of Death. Using interviews and behind-the-scenes footage, Lee aficionado John Little paints a portrait of the world's most famous action hero, concluding with a new cut of Game of Death's action finale, reconstructed from Lee's notes and recently-recovered footage.
6.1A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.
6.2An exploration of the link between science and beauty through the work of scientists at CERN, in Geneva.
0.0A portrait exploring the enduring craft of wood canvas canoe building, and the quiet philosophy it inspires. "The Shape of Cedar" is both a celebration of craftsmanship, and and a guide to a more intentional way of moving through the world.
0.0In a world that spins faster and faster, bibliomaniacs take refuge from the rush and the noise inside the library. Amid whispers, they confess the meaning of life. A celebration of thought and obsession, where libraries reveal their inhabitants
9.0Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.
8.5In 1973 Yorkshire public television made a short film of the Nobel laureate while he was there. The resulting film, Take the World from Another Point of View, was broadcast in America as part of the PBS Nova series. The documentary features a fascinating interview, but what sets it apart from other films on Feynman is the inclusion of a lively conversation he had with the eminent British astrophysicist Fred Hoyle.