Wild Wheels(1992)

The Wild World of Ted V. Mikels(en)

THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.

Bloodlust(en)

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

Inside Out(en)

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

The Serpent's Kiss(en)

A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.

A Woman, Her Men, and Her Futon(en)

Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.

Let's Make a Movie(en)

Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?

She's Alive! Creating 'The Bride of Frankenstein'(en)

Documentary about the making of 1935's "The Bride of Frankenstein."

Trickle Down Town(en)

Tomasz Biernacki’s thought-provoking documentary about the homeless crisis in Seattle. Deftly interweaving in-depth stories of community members who are living the crisis on the streets with interviews of political leaders and community advocates, vivid images of the current state of affairs and a poignant examination of the roots of homelessness in the region, Biernacki paints a picture of a city struggling to come to grips with an unprecedented emergency, and finds a few glimmers of hope.

New Orleans: City of Jazz(en)

German cultural documentary about the development of Jazz in New Orleans. Contains interviews with several musicians.

China's Artful Dissident(en)

Follows a Chinese political artist in exile, on a personal challenge to stop the Communist regime's whitewashing of history and abuse of human rights - and in the process, risking his family's freedom.

EXO Planet #3 The EXO'rDIUM In Seoul(ko)

EXO Planet #3 – The EXO'rDIUM was the third tour of South Korean-Chinese boy band EXO. This is a recording of the concert date of July 24th, 2016 at Seoul in the enclosure Olympic Park Gymnastics Stadium (better known as Olympic Gymnastics Arena and Olympic Gymnastics Hall).

Funkiskungen(sv)

Sunshine City(en)

SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.

Libellula gentile. Fabio Pusterla, il lavoro del poeta(it)

A film about the Swiss Italian poet Fabio Pusterla and his creative poetic process, his struggle to find an honest language, one which adheres to the personal experience and is able to unfold a hidden truth that creates a strong and profound bond with the other, with his public.

My America... or Honk If You Love Buddha(en)

Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.

Io sono nata viaggiando(it)

A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.

Hakob Hovnatanyan(hy)

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Yakuza Eiga, une histoire du cinéma yakuza(fr)

The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.

Tender's Heat: Wild Wild Beach(ru)

A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there.

Blonde Poison: The Making of 'Basic Instinct'(en)

A look behind the scenes at one of the more controversial thillers of the 90's, and the one that made Sharon Stone a top-name star. Includes interviews with Stone and footage of some of the hard work that went into making the movie, as well as some discussion of the problems the makers had to deal with, including protests from groups who wanted the film changed or simply abandoned.