
Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?
Wang Chung-ming

Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?
2017-06-29
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7.4The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.
A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.
7.0THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.
7.1Activist-pranksters Andy Bichlbaum and Mike Bonnano pull the rug out from under mega-corporations, government officials and a complacent media in a series of outrageous stunts designed to draw awareness to the issue of climate change.
7.6Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
5.6Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.
6.9A captivating portrait of French actor Michel Piccoli, who has worked with the greatest filmmakers of his time and has built a dazzling career of remarkable merit and success, focusing on his work during the 1970s and his professional relationship with Claude Sautet, Romy Schneider, Marco Ferreri and Luis Buñuel.
0.0A documentary about the clashes between squatters and the police in Berlin in early 1981. Despite the absence of commentary, this is an openly partisan film that aims less for political analysis than for an up-close description of the situation and mood.
10.0Winner of the DOC NYC Audience Award, Director Nick Canfield’s first film follows gospel-rock icon and activist Reverend Vince Anderson. After entering seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that is open to all, meets people where they are, and moves everyone that sees him play. Reverend Vince is also deeply involved in social justice, working with other faith leaders around the country to build inclusive communities. Featuring Questlove and an ensemble of eccentric musicians, The Reverend is a rocking concert film as well as an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.
0.0River of Tears and Rage is a film culled from Kodao Productions' Facebook Live coverage of Baby River's wake and burial. Amid a raging coronavirus pandemic, a dead three month-old infant became a symbol of political repression by a regime denounced worldwide for its crimes against the people.
7.2Poverty, Inc. explores the hidden side of doing good. From disaster relief to TOMs Shoes, from adoptions to agricultural subsidies, Poverty, Inc. follows the butterfly effect of our most well-intentioned efforts and pulls back the curtain on the poverty industrial complex - the multi-billion dollar market of NGOs, multilateral agencies, and for-profit aid contractors. Are we catalyzing development or are we propagating a system in which the poor stay poor while the rich get hipper?
0.0Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?
10.0A documentary on the struggle of millworkers, farmworkers, and people of Hacienda Luisita, Philippines.
A month after the Wall Street occupation, a number of protesters follow their example and set up their tents in front of the Ljubljana stock market. The protesters are united in the critique of representative democracy and global financial capitalism under the slogan ‘nobody represents us’. Their organisation is based on the principles of direct democracy. In absence of other social alternatives, a community starts to emerge in the camp in front of the stock market where everyone has an equal say, and everyone is united in their diversity. After the initial euphoria the great idea of direct democracy clashes against the contemporary individual; antagonisms surface, similar to those of the system which the protesters fight against. The story about the Slovenian version of the ‘occupy’ movement is portrayed with the stories of a few protagonists, who despite several defeats do not lose hope in a different world.
8.0Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.
0.0Dance educator LIN Ssu-tuan is the first professional nude model in Taiwan in the 1950s and the 1960s, the muse for painters and sculptors in the art world, and the face for photographers’ salons around the world; in the end, she reversed the dynamics of the subject vs. the object and went on to perform her first solo modern dance in 1975, turning herself from the state of passiveness to an active educator of the art of dance. LIN is over 80 years old, but she still fervently pursues her ideals and passions with her body; her path of life is indeed a book of female art history that communicates with the society in Taiwan.
7.0The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
0.0As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.
Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)