The film portrays a post-human dystopia featuring faceless 3-D avatars continuously tortured in abstract digital space, a terrifying image of a future where all humanity is uploaded to a virtual purgatory and endlessly abused.
Vasek, 8 years old boy is desperate to find a new "father" for his mother.
Yonosuke Hikura appears to be an ordinary high school student. Yet he has inherited the important role of protecting the harmony between Heaven and Earth. With the help of the magical sword Chitentai, and Tsukinojo Inbe, he courageously battles the demons, sending them back to the Earth World, from which they have escaped.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
A watershed program in Australian television, The Dream aired every night for the 15 nights of the Sydney Olympic Games. Roy and HG engaged in loosely scripted banter, hilarious athlete interviews, and most famously a reinterpretation of Gymnastics, Greco-Roman Wrestling, Weight-lifting and Diving with their own distinctive commentary style.
A suicidal artist goes into the desert, where he finds his doppelgänger, a homicidal drifter.
Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
A dynamic duo in silk and ermine entertain hick businessmen looking for a good time while in Manhattan.
49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Johnny, a young man living in the UK, works tirelessly at a restaurant run by his ruthless boss, who values profit over people. Johnny hasn't seen his mother, who lives in Nepal, for five years. Despite his longing, his boss refuses to grant him time off when his mother invites him to celebrate the Dashain festival together, a cherished tradition involving family and festivities. Heartbroken, Johnny is forced to postpone the reunion, promising his mother he'll come next year.
Werner, Andi and Eckat play dice to determine the next king of the trio. When Werner is crowned king, he decides for all of them to skip work and start for Korsika.
The evil Dr. Kochin uses the dragon balls to resurrect his mentor, Dr. Wheelo, in an effort to take over the world. Dr. Wheelo, his body having been destroyed by the avalanche that killed him fifty years before, desires the body of the strongest fighter in the world as his new vessel. Believing Roshi to be the world's strongest warrior, Dr. Kochin abducts Bulma and forces Roshi to surrender himself to save her. When Goku hears of their abduction, he goes to their rescue.
To keep their annual Holiday Heist-tacular afloat, Mr. Wolf and his crew of animal outlaws will have to restore the whole city's Christmas spirit — fast!
Kim and Pie are in love, but after graduation they have to travel into two different directions for their internship; Kim is going to work in a farm in the northern province of Nan, while Pie is going South to work in a fishery center. Their love is being tested by the distance between them.
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
Facing mounting insect deaths, concerned bugs view a documentary film about Sherwin-Williams's lethal new PESTROY pesticide coating.
Michele Bernardi has created a portrait of the dancer and choreographer Pina Bausch (July 27, 1940-2015), inspired by various film and video clips of her in the incessant studio of movement. The animation is rotoscoped and it recapture the almost abstract quality of dance. The soundtrack by Luca D’Alberto enhances the succession of images and recomposes a unique cameo whom the legendary Pina she is.
A stop-motion puppet animation adaptation of Hans Christian Anderson's tale The Ugly Duckling.
The fourth instalment of the Deadly Scent adventure series of short films, in which Zea and Lucius this time resist the snares of the criminal Dr. Goad under the surface of the sea.
Nova, immersed in metaphors that cross her unconscious, is guided by fate, door to door.
In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
An emotional and generational conflict between mother and son in the twenty-first century, except for one detail: Mother is none other than death.
An animated film created from pastel drawings by Clorinda Warny, Premiers Jours traces the complete cycle of life, from birth to adulthood, in four seasons, and through the evolution of earthly landscapes that become human bodies. Completed Postumously by Suzanne Gervais, Lina Gagnon
Sonic, Tails, and Knuckles encounter an abandoned Badnik drone which upgraded itself using parts from a junkyard, with the intention of conquering the world.
Hopeful job candidate Buck Boom is dynamic, forceful, confident and creative. But can he convince Mr. Mudgin, the personnel manager, to hire him? You see, Boom is an animated character in a live-action world and Mudgin is not used to dealing with someone who is different.
Animators and urban planners both create worlds, but Czech stop motion specialist Jiří Barta's ingenious paper cut-out short punctures the stifling architecture of communist housing. Skilled hands blueprint an apartment tower standardized specifications. Envelopes contain the elements of each home. Family dwellings, bachelor pads, scholarly studies and artist studios: different social configurations are permitted but restrained to the same uniform box. A dystopian revision of the REAR WINDOW scenario, THE DESIGN's darkly comic social critique still has teeth.
It's hunting season, as well as Eda's 25th birthday. As a present, her father offers her an apartment under seizure.
Meeper and the ChubbChubbs go to the North Pole; when Santa Claus is injured and can't deliver his presents, he is replaced by Meeper.
Computer animation and footage from NASA space missions explain how our solar system evolved and the place Earth has within the system.
This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.