A short film that originally played before showings of "Heroes Two" - in which Fu Sheng, Chen Kuan Tai and Chi Kuan-Chun demonstrate different techniques of Hung boxing.
A short film that originally played before showings of "Heroes Two" - in which Fu Sheng, Chen Kuan Tai and Chi Kuan-Chun demonstrate different techniques of Hung boxing.
1974-01-19
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A documentary that follows Michelle "The Karate Hottie" Waterson as she balances life as a mother and professional MMA fighter.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
Voigt, Kroske and Richter were among the first filmmakers who documented the events of the historic 9th of October 1989. Their “material” reflects them from different angles: protesters, workers, opposition members, policemen, street sweepers and functionaries. THE document of the “peaceful revolution”.
An 88-Minute documentary about how Jackie Chan broke the mold (and his bones) with his daring choreography in the 1980s.
An in-depth look at the past four decades of work by legendary martial artist, Jackie Chan.
Made for German TV documentary about the early craze of Hong Kong Martial Arts Cinema. While critical on the subject and not too well informed, it nevertheless offers some interesting insights into the Hong Kong film industry of that days.
As beautiful and sleek as it is deadly, 52 Blocks merits special conservation efforts as the United States' only existing native martial culture, as it is indeed, the jazz of the martial arts world. Across the African diaspora, there are manifestations of African-derived warrior-dances, capoeira in brazil, mani in Cuba, ladja in Martinique, pinge in Haiti- yet the US offshoot has remained esoteric, because it was suppressed throughout slavery, Reconstruction and Jim Crow and then obscured in the criminal justice system. The history, interviews and training of the martial arts style that created Breakdance and boxing greats like Mike Tyson.
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.
Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
Eat Your Enemy is a documentary about martial arts and aggression, about spirituality, winning and losing, about suffering and vanity. And about East and West, muscle and mind power. About masters and students. A film full of paradoxes. Violence and its prevention are important themes in our society, and we are each involved in one way or the other. Aggression is bad, is the prevailing opinion. We, in the West, have begun to consider ourselves too civilized to fight. We fight with words and on the off chance that something does go wrong, a trauma team is at hand. Nevertheless, people continue to have a need to fight; take the violence during soccer matches. But in fact, we don't know how to handle aggression. In this film, several approaches to the martial arts in the West and the East are highlighted. The essence of the film is philosophical, but disguised as fight. Not as much a fight against an opponent but rather against oneself.
Documentary on the legendary martial artist Bruce Lee, with a focus on the production of his unfinished film Game of Death. Using interviews and behind-the-scenes footage, Lee aficionado John Little paints a portrait of the world's most famous action hero, concluding with a new cut of Game of Death's action finale, reconstructed from Lee's notes and recently-recovered footage.
A legend in the martial arts and law-enforcement communities, Takayuki Kubota demonstrates his self-defense system for armed and unarmed attacks in this instructional video.
See the world's legendary fighting styles in an entirely new way. As young martial artists Mike Chaturantabut and Matt Mullins fight their way through the world's most prestigious tournament, East meets West in a stunning application of visual technologies and the biomechanical secrets behind the world's martial arts are revealed for the first time. Using a unique graphic technique that allows for "in-the-body" animation of joints and muscles, experts demonstrate the basic principles behind muscular torque and leverage - creating fighting and sparring scenes unlike anything you've ever seen. Weapon masters showcase the physics behind the fiercest weapon styles - the twin broadswords, the Chinese straight sword and the Katana - and demonstrate how warriors can quickly master even common household items - like a traditional Japanese hand fan - to devastate their opponents.
A month after the Wall Street occupation, a number of protesters follow their example and set up their tents in front of the Ljubljana stock market. The protesters are united in the critique of representative democracy and global financial capitalism under the slogan ‘nobody represents us’. Their organisation is based on the principles of direct democracy. In absence of other social alternatives, a community starts to emerge in the camp in front of the stock market where everyone has an equal say, and everyone is united in their diversity. After the initial euphoria the great idea of direct democracy clashes against the contemporary individual; antagonisms surface, similar to those of the system which the protesters fight against. The story about the Slovenian version of the ‘occupy’ movement is portrayed with the stories of a few protagonists, who despite several defeats do not lose hope in a different world.