Roy Payamal is the wildest busker of a country ranked the world’s most emotionless society. He takes his undermined line of work as a serious art- but is his faith impossible idealism or an admirable conviction? Singapore Minstrel is an invitation into his beautiful mind, a magical, trying universe where art and life dialogue in a tropical dream.
The amazing and inspiring journey of Mexican guitarists ‘Rodrigo y Gabriela’ who at a very young age decided to do only what they loved the most: music.
"The Pitch" takes a look at the world of international street performing buskers to find out why these men and women have chosen to "pass the hat" to make a living, along with the challenges they face.
In a world devastated by COVID-19, Caleb tries to get his family together for Christmas through a series of Zoom calls. But, will reconnecting with his estranged workaholic father derail his festive plans?
A queer lady holiday movie that follows the lives of three very different couples in dealing with their love lives in various loosely interrelated tales all set right before Christmas through New Years.
The Hollywood musical is brought to a Glasgow street. Amidst the crush of city life, two street musicians provide the backdrop for a girl meets boy story, with a spark of purely Glasgow magic.
Every morning Betty tramps alone through the big city to join her fellow buskers in the pedestrian tunnel below, trying to earn a living. But her earnings are meager, and to make things worse, the new security guard, Joe, is trying to confiscate her fiddle. While Betty dreams of fame and fortune, Joe dreams of earplugs – something’s got to give!
With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.
A worn out mother, Sara, seeks out the source of her child’s favorite lullaby.
Joy is an emotionally damaged young woman of eighteen, who was given up at birth, to grow up in homes and with foster families. She lives on the fringes of society, getting by on benefits and earning a little extra by playing the accordion in the subway. In addition, she is a skilled shoplifter and has never been caught.
Fairly sensitive melodrama about life on the back-roads in Australia at the height of the Great Depression. Centring on the developing romance between two drifters this presents a commendable level of period detail. Based on the novel by Kylie Tennant.
A student attempts to find a quiet place to write an essay while dodging the chaos of Toronto and a seemingly omnipresent busker.
James Bowen finds himself the target of an animal welfare investigation that threatens to take away his beloved cat, Bob, at Christmas.
Katie, a 17-year-old, has been sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie and they embark on a summer romance.
James Bowen, a homeless busker and recovering drug addict, has his life transformed when he meets a stray ginger cat.
A retired entertainer makes his living as a street musician on the streets of London. Two young children befriend the old musician, brightening his otherwise colorless life
Looks at the emergence of lesbian feature filmmakers in the U.S. and how they produce films on a small budget. Interviews with directors Rose Troche (Go Fish); Sharon Pollack (Everything Relative); and Alex Sichel (All Over Me) as well as producer Dolly Hall, executive producer Christine Vachon and writers Sylvia Sichel and Guinevere Turner.
We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.
Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.
In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield on Uptight, a "politically radical" film noir about Black revolution, framed against the April 4 assassination of Dr. Martin Luther King, Jr. Director, producer and co-writer Dassin, a blacklisted American exile, returns to his birth country after having gone into a second exile from his adopted country Greece, then makes a film that roiled the powers that be (or "powers that were") in the U.S. government. The material so upset the FBI that they closely monitored the production up until the eve of its premiere, recruiting crew members as moles. The irony is rich, as Uptight was a remake of John Ford's The Informer (1935) and dealt with a turncoat character who engineers the assassination of a revolutionary leader. How is Uptight both an outlier (or anomaly) as well as simultaneously integral to the career of Jules Dassin?
Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?