For the first time in history, a white man has been invited to become a Massai Warrior. The Massai of East Africa are one of the last tribes on earth to live as they did hundreds of years ago. Benjamin will live among the tribe, sleeping, hunting, and surviving in the bush. He will get to know their culture, their customs of dancing and playing, and learn how to conquer the dangers of the wilderness. Will he be able to become a true Massai warrior? To become a Massai is a great journey into the unknown.
Teacher
Surviver
Interviewer
A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.
Documented in television documentaries for over 40 years by the BBC and other broadcasters around the world, the Marsh Pride is the most filmed pride of lions on Earth. In this film, the Marsh Pride battle for survival in Kenya's famous Maasai Mara Reserve, which has become a magnet for tourists, many of them keen to see the pride for themselves. A tale of shifting loyalties, bloody takeovers and sheer resilience, the lions’ story is told by those who filmed them, tried to protect them and lived alongside them, as well as some who ultimately wanted them dead.
When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.
A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.
This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.
In the Kenyan bush, a crackdown on ivory poaching forces a silver-tongued second-generation poacher to seek out an unlikely ally in this fly-on-the-wall look at both sides of the conservation divide.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
The region of Lake Turkana, located in Kenya and Ethiopia, is considered to be “the Cradle of Humankind”. Among other finds, primate fossils from millions of years ago have been discovered in the region. But what about the region’s modern inhabitants and their relationship to their environment? Iiris Härmä, whose previous work includes the award-winning Leaving Africa, had the chance of joining Helsinki University’s researchers, Álvaro Fernández-Llamazares and Mar Cabeza, on their pre-pandemic trip to study the Daasanach people’s relationship to their environment through traditional animal tales. The researchers hope that storytelling would help to bridge the gap between people’s everyday lives and conservation efforts.
Director Ken Loach explores the politics of race, class and charity in a capitalist society in this documentary funded by the Save the Children foundation.
Boy Dallas lives in the slum of Kibera, the capital of Kenya, Nairobi. He is a radio host, "The Voice of Kibera." Dallas is a self-taught cameraman, and with a spare camera, he sets out to find out why the neighborhood, which has long been the target of aid, is still in such terrible trouble.
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
Evokes the personal trajectory of a Tanzanian Massai woman refusing genital mutilation. Directed by two NGO volunteers from Luxemburg working on a development project in Tanzania. Released in 2009, this film has been broadcasted since in various film festivals in Europe, on the occasion of different AR actions in Luxemburg and on national television (RTL).
Lions, leopard, cheetah, hyena, wild dog and crocodile - extraordinary scenes of super predators hunting. The Super Predators was filmed over three years at Londolozi Game Reserve in South Africa and on Kenya's Masai Mara. It captures some of the most extraordinary scenes ever seen on film of these super predators hunting and killing. Dramatic slow-motion action replays allow the viewer the opportunity of observing all the subtleties of these magnificent hunters in action. The film includes a plea for the world's most notorious predator, man, to work in closer partnership with nature for our mutual benefit and survival.
In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.