Visibles(2018)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Irregulars(en)

Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.

Kytarista(cs)

Invisible Hero(pt)

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

En dehors de vos murs(fr)

The Fashion Side of Hollywood(en)

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Wig(en)

Spotlighting the art of drag, and centered on the New York staple Wigstock, this documentary showcases the personalities and performances that inform the ways we understand queerness, art and identity today.

I See The Crowd Roar: The Story of William Dummy Hoy(en)

A true story of a courageous boy who becomes a legend. Living a dream that wouldn't die; his passion empowered him to historically change the course of baseball. Facing challenges on every front he conquers all with his belief and determination; a true hero. A life changing story!

Welles' Language(pt)

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

The Committee(en)

A film about Florida's little-known investigative committee of the State Legislature from 1956-1964. The committee's aim was to root out homosexual teachers and students from state universities and it was successful in either firing or expelling more than 200 suspected gays and lesbians. The film features two victims and one interrogator who have never before spoken publicly about their experiences. It culminates in a 50-year reunion between victim and interrogator.

Oliver(en)

A documentary about a gay nightclub performer with an especially lurid "Spider-man" act. Oliver is a female impersonator who supports his family by performing in Manila's gay bars.

One Wedding and a Revolution(en)

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.

Paparazzi(fr)

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Paul Monette: The Brink of Summer's End(en)

Narrated by Linda Hunt, this documentary examines the life of the late author and gay rights activist Paul Monette. Born in 1945 to a well-off Massachusetts family, Monette grows up unable to accept his homosexuality, for years hiding it from his loved ones while struggling to develop as a writer. In 1978, Monette publishes his first novel, which allows him to come out to his parents. After losing one lover to AIDS in 1986, he becomes a ferocious advocate for awareness of the disease.

Two Spirits(en)

Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.

¡Al fútbol!(es)

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

The Twenty One Pilots Universe: Welcome to Trench(en)

A documentary series finale analysing the entirety of Twenty One Pilots' new full-length studio album "Trench". Jimmy not only uncovers the stories of internal pain and fear that Tyler Joseph tells through the songs on the album. But, he also learns to overcome his own personal fears.

Violons d'Ingres(fr)

Shows hobbies of people who do an ordinary job in the day. Made for New York Fair.

The End of Summer(fr)

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Smile(en)

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.