The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
Belcore
Gianetta
Conductor
The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
1981-03-02
7
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
After learning that his terminally ill wife has six months to live, a man welcomes the support of his best friend who moves into their home to help out.
As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.
Hamid is part of a secret group pursuing the Syrian regime’s fugitive leaders. His mission takes him to France, on the trail of his former torturer whom he must confront.
Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.
Lydia, a midwife very invested in her work, is in the middle of a breakup. At the same time, her best friend, Salomé, announces to her that she is pregnant and asks her to follow her pregnancy. The day Lydia meets Milos, a one-night stand, while she is holding her friend's baby in her arms, she sinks into a lie, at the risk of losing everything.
London, 1843. Ebenezer Scrooge, a bitter old man, despises the Christmas holiday. Over the course of Christmas Eve night he is visited by three ghosts to show him his past, present and future.
Ollie falls in love with a woman. When he discovers she's already married, he unsuccessfully attempts suicide but he and Stan then decide to join the Foreign Legion to get away from their troubles. When they’re arrested for soon trying to desert the Legion—they escape a firing squad by stealing an aircraft.
In a post-apocalyptic future, mankind is color blind. A brilliant scientist suddenly dies, leaving his precious briefcase-filled with a highly-addictive synthetic drug that allows people to see colors again-to Ana, a mere 12-year-old girl. Possession of the briefcase makes her the target of a doctor with wicked plans for the drug, and her only hope to escape his pursuit relies on the aid of the dead scientist's two devoted bodyguards. Together, their epic, perilous journey pivots on a tremendous secret: Ana herself could be the key to salvaging a world in ruins.
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Down-on-his-luck, unemployed Alexandre has two months to prove to his wife he can take care of his two young kids and be financially independent. Now, the thing is, although The Box, a user-friendly startup, wants to hire him on pro- bation, the company’s slogan is “No kids!” and Séverine, his future boss, is a short-tempered “killer”. So if Alexandre wants to land the job, he’s bound to lie... Will his meeting with Arcimboldo, an “entrepreneur of himself” and the king of online odd jobs, help the brave, disoriented Alexandre overcome all those challenges?
Can Taylor Tomlinson have it all? From dating woes to dream jobs to inventive dirty talk, she shares life's ups and downs in this stand-up comedy special.
A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.
Jacques, a young man with artistic aspirations, spends four nights wandering Paris with a young woman, whom he rescued from suicide.
A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.
Akira Fudo (aka Devil Man) fights more demons trying to kill him. The strongest enemy sent from the demon's world is Silen, the demon bird.
Imagine a world where the worst behaviour you could ever have is to forget your store's loyalty card in your other trousers...that's what happens to Adrien. This serious misconduct forces him to go into hiding, as both police and media hunt him down.
Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved, Don Alvaro; baritone Igor Golovatenko as her vengeful brother, Don Carlo; bass-baritone Patrick Carfizzi as Fra Melitone; and bass Soloman Howard as both Leonora’s father and Padre Guardiano.
Puccini’s bittersweet love story returns to cinemas, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong reprises the role of the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production.
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
Zaporozhets za Dunayem (Ukrainian: Запорожець за Дунаєм, translated as A Zaporozhian (Cossack) Beyond the Danube, also referred to as Cossacks in Exile) is a Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Originally set in the 15th c century, Tchaikovsky's "The Enchantress" is updated to the present day in this innovative production. The charismatic, emancipated Nastasya, who rejects the advances of the devious Mamïrov, duly faces the implacable forces of traditional values in a society riven by divisions between liberal freedoms and religious orthodoxies. The tragic outcome engulfs everyone...
In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. John Adams, a major musical figure of the last forty years, made this event of contemporary history the subject of his first opera. Nixon in China tackles the political thaw instigated by ping-pong diplomacy, begun by the invitation of the American table tennis players by their Chinese counterparts, one year before the presidential visit. A mesmerising work in which the pulsations and repetitions typical of minimalism are combined with melodic lines of great lyricism. For its entry into the Paris Opera repertoire, this work has been entrusted to the director Valentina Carrasco, who underlines the importance and the mediating power of Chinese national sport in history.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
This first film of Cyprus' first director, Giorgios Filis, depicts music and dance customs in the form and style of a folk opera, with traditional Cypriot dances and songs. The film consists of a folkloric inventory based on the folk culture of Cyprus, as well as on similar ritual happenings. The narration and dialogue are entirely in the Cypriot dialect and are characterized by a rhetorical and poetic mood.
Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.