Staff Only(2019)

Forest(en)

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

The Three Friends(ar)

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Nullarbor(en)

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Berlin Recyclers(de)

Berlin - techno, cobblestones and a lot of graffiti. "Berlin Recyclers" portraits the cultural, social and urban fabrics of this city by means of experimental animation. The viewer is guided to urban hideouts where little creatures dwell. These are digitally composed with collected trash and typical local products. The clatter of the limbs of these creatures interacts with the soundscapes of Berlin.

Shifting Units(en)

A salesman tries to juggle the stress of his job with his increasing alcoholism, while his long hours away from home mean his family life has all but collapsed in the quest for sales.

Without Lying Down: Frances Marion and the Power of Women in Hollywood(en)

From 1915-1939, Frances Marion was one of the most powerful talents in the movie industry. In one of the most liberating eras for women in film, she wrote more than 200 movies and was the world's highest paid screenwriter - man or woman. Kathy Bates gives voice to Marion's words from her letters, diaries, and memoirs. Includes commentary by silent film historian Kevin Brownlow, critic Leonard Maltin, and Marion's celebrated biographer Cari Beauchamp. Current women filmmakers reflect on the legacy left to them by Marion and the pioneering women of early Hollywood.

Divisione Folgore(it)

In the summer of 1942, during the Second World War, a group of young paratroopers from the Folgore Division, after having been subjected to a long and tiring training in Italy, was transported by air to the Libyan desert to cover the Italian-German front.

Kanto Wanderer(ja)

Handsome young Katsuta tries to follow the yakuza code, but even his boss doesn't believe in it. Diamond Fuyu is less ethical, and allows the idiotic Tetsu to trick a schoolgirl he fancies, Hanako, into a type of bonded prostitution. Because of gang conflict, the Izu family (to whom Katsuta belongs) has their last gambling den taken over, and he seeks revenge. This brings him back into contact with a former lover who is also a card trickster - she is also Diamond Fuyu's sister, and is now married to Okaru-Hachi, who has mastered a clever card cheating trick called Okaru, which involves the deft use of mirrors.

Captain Nulle(lv)

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

Mad(en)

A matriarch past the point of a nervous breakdown, her two daughters that don't give a damn, and the heat-seeking missiles of resentment they toss at each other.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Puthiya Geethai(ta)

Sarathy is a brilliant and carefree young man who is unaware that an astrologer has predicted his death at the age of 27. Eventually, he comes to loggerheads with Reddiar over a land deal gone bad.

Tomás(es)

Tomás is an old man who suffers from Alzheimer's disease dependent on his family who has a complicated relationship with him due to his condition, which causes a conflict of interest with Tomás' daughter wanting him to live, her granddaughter being completely indifferent, and his son-in-law. wanting him to die.

Fugitive of the Plains(en)

Billy joins an outlaw band led by woman to clear his name of their crimes, which are being blamed on him.

One Day with a Pianoman(it)

A Wonderful Life(en)

A farcical short film showing a sequence of events for a not-so-average family. Centering on the teenage boy as the main character and his brother and mother as they go about their daily life taking everything in their stride until the bitter end. This film centres on dialogue and staging, with a clear focus on circumstance. It draws inspiration from classics such as The Ipcress Files, Goodfellas and the work of Wes Anderson in its visual style and delivery.