On December 12, 1945 Maria Stadler got (as one of the first from the American occupying power) the license to operate a movie theater. At first she ran a traveling cinema, which went so well that she opened on 30 October 1953 Maria's Kino in Bad Endorf, which still exists today. In the winter of 1976/77 students of the Munich University of Film and Television made a documentary about the idealist, who had since become a movie legend.
On December 12, 1945 Maria Stadler got (as one of the first from the American occupying power) the license to operate a movie theater. At first she ran a traveling cinema, which went so well that she opened on 30 October 1953 Maria's Kino in Bad Endorf, which still exists today. In the winter of 1976/77 students of the Munich University of Film and Television made a documentary about the idealist, who had since become a movie legend.
1977-03-28
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In the spring of 2016, for the first time in 54 years, Ariane Mnouchkine entrusts her troupe, the Théâtre du Soleil, to another director. Robert Lepage then embarks on the creation of Kanata, a work that imagines the meeting of Europeans with First Nations people in Canada over two centuries. Lepage au Soleil: The origin of Kanata shows how, the 36 comedians from 11 different countries, discover in their own stories astonishing resonance with those of the natives. How, inspired by the cosmopolitanism of comedians, Robert Lepage tries to get them to talk about their own stories through those of the natives. The documentary plunges into the heart of a theatrical creation in search of universality turned upside down by a media scandal even before its premiere.
Those who played prominent roles in Clinton's 1992 Presidential campaign return to discuss how politics and the media have changed since that time.
Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.
Examines the careers of women who made a lasting contribution to film history as directors: Alice Guy Blaché, who in 1896 directed what is arguably the first plot-driven film; Ida Lupino, who also had a long career as an actor; Ruth Ann Baldwin, who directed numerous early westerns; Leni Riefenstahl, Hitler's film propagandist; as well as Dorothy Davenport Reid, Lois Weber, Kathlyn Williams, Germaine Dulac, Cleo Madison and many more. Film clips, stills, and other archival materials bring their work to life.
There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blaché in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a hundred episodes of "Have Gun, Will Travel," "Thriller," "Gunsmoke," and many independent features.
Documents Ku Klux Klan activities in California, Georgia, Chicago, and Ohio.
.Americans have had a long love affair with dogs, with many of us referring to our canine companions as best friends, significant others, soul mates, even children. But lost amidst all the pampering and pedestaling are hard and often tragic truths surrounding dog ownership, care and commerce, not to mention the daunting odds continuing to face millions of unwanted shelter dogs. Divided into three parts – “Fear,” “Loss” and “Betrayal” – this 73-minute documentary is comprised of eight case studies that probe the complicated and conflicted relationship we have with canines. Collectively, the segments reveal the sobering realities behind our relationship with dogs, showing not only how far some dog lovers will go for their pets, but how far we as nation have to go in order to treat all dogs humanely.
With Olin's 85-year-old father as guide, we experience Norway's most adventurous valley, Oldedalen in Nordfjord. He grew up here, and here generations before him have lived in balance with nature.
Venus and Serena takes an honest and unfiltered look into the remarkable lives of sisters and tennis legends Serena and Venus Williams. Through the prism of one year in their lives, the film tells the untold story of how these two great stars came to be and how they struggle to stay on top.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
FREE ANGELA is a feature-length documentary about Angela Davis and the high stakes crime, political movement, and trial that catapults the 26 year-old newly appointed philosophy professor at the University of California at Los Angeles into a seventies revolutionary political icon. Nearly forty years later, and for the first time, Angela Davis speaks frankly about the actions that branded her as a terrorist and simultaneously spurred a worldwide political movement for her freedom.
A fresh take on the outlaw spirit, focusing on a road trip by four motorcyclists who forge deep friendships over nearly 3,000 miles. Zeros in on four California women who get to know one another while traveling to and from Sturgis, South Dakota, for the world’s largest biker gathering, an annual event since 1938. The rally is a heady brew of races, partying, and exhibitionism under the Great Plains sun. The central quartet have come to Sturgis not merely to revel but to work: Among them are two journalists (Cris Sommer-Simmons, cofounder-founder of Harley Women magazine; and Jamie Elvidge, who specializes in test-riding bikes), a singer-songwriter (Gevin Fax) and a photographer (Gail DeMarco). Combines footage of the women’s trip and post-travel interviews.
A documentary look at the changing interpretations of the first amendment of the U.S. Constitution - laws and court cases that have alternatively broadened and narrowed the amendment's protection of free speech and assembly. The film's thesis is that post-9/11 the government has seized unprecedented license to surveil, intimidate, arrest, and detain citizens and foreigners alike. The film also looks back to the Pentagon Papers' case and compares it to cases since 9/11 dealing with high school students' speech and protesters marching in New York City during the 2004 Republican convention. Comment comes from a range of scholars, pundits, and advocates.
A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.
In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.
Anne Braden: Southern Patriot is a first person documentary about the extraordinary life of this American civil rights leader. Braden was hailed by Dr. Martin Luther King Jr. in his 1963 Letter from Birmingham Jail as a white southerner whose rejection of her segregationist upbringing was eloquent and prophetic. Ostracized as a red in the 1950s, she fought for an inclusive movement community and mentored three generations of social justice advocates. Braden’s story explores not only the dangers of racism and political repression but also the power of a woman’s life spent in commitment to social justice.
A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.
God Save My Shoes is the first documentary film to explore the intimate relationship between women and shoes, questioning why shoes are the most addictive item in a woman's closet and how shoes have become a totem object.
Filmaker Alina Marazzi assembles old home movies trying to piece together the life of her mother, Liseli, who committed suicide when Alina was seven years old.