Ann-Margret gave viewers a double dose of movie star glamour in 1975, with a pair of TV specials designed to showcase her musical and comedic talents. Arriving first up in January was this program "Ann-Margret Olsson" with guest stars The Osmonds and Ike & Tina Turner Turner. (The follow-up special "Ann-Margret Smith" debuted in November.)
Ann-Margret gave viewers a double dose of movie star glamour in 1975, with a pair of TV specials designed to showcase her musical and comedic talents. Arriving first up in January was this program "Ann-Margret Olsson" with guest stars The Osmonds and Ike & Tina Turner Turner. (The follow-up special "Ann-Margret Smith" debuted in November.)
1975-01-23
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Ann Margret brings her special kind of glamour to TV!
Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.
Recorded at Carnegie Hall, New York City in 1982, released in 1983. Most of the material comes from his A Place for My Stuff, the album released earlier that same year. The final performance of "Seven Dirty Words," his last recorded performance of the routine, features Carlin's updated list.
George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.
George Carlin is in top form with these stand-up recorded at the Beverly Theater in Los Angeles in 1986. Routines included are "Losing Things," "Charities," "Sports," "Hello and Goodbye," "Battered Plants," "Earrings," and "A Moment of Silence." Also included is a short film entitled "The Envelope" co-starring Vic Tayback.
When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin’ In New York." The show, taped at the Paramount Theater in Madison Square Garden and winner of the 1992 CableACE Award, is a perfect blend of biting social commentary and more gently-observed observational pieces.
Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.
Steven, a character from Alice Cooper's album “Welcome to My Nightmare”, encounters a surreal dream fantasy, guided by the spirit of the nightmare.
George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.
Steve Martin's fourth NBC special was in the spirit of his previous association with Saturday Night Live. It was broadcast live from Studio 8H, produced by Lorne Michaels and featured some original cast members of the show.
It's Charlie Sheen's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.
Performing at the Celebrity Star Theater in Phoenix on July 23, 1978, Carlin mesmerizes his audience in the second of his 12 HBO specials. The show was originally planned as part of a concert/sketch movie, The Illustrated George Carlin, that never came to fruition.The routines include: Death, Kids & Parents, Newscast #2, Time and Al Sleet, the Hippy-Dippy Weatherman. -- From Amazon.com
This material was developed and prepared over the last year or so, mostly in comedy clubs. This special kind of goes back to when he used to just make noises and be funny for no particular reason. It felt right to him to shoot this special in a club to give it that live immediate intimate feeling. The show is about an hour long. The opening act, who is seen at the beginning (good place for an opening act) is Jay London. One of his favorite club comics going way back to the late 80s when he first started in working in New York.
George Carlin's first ever comedy special, filmed live at the University of Southern California. Here, he talks about monopoly, flying on planes, random thoughts, walking, and other things.
Adam Sandler takes his comical musical musings back out on the road, from comedy clubs to concert halls to one very unsuspecting subway station.
It's Roseanne Barr's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs her songs such as the title number and a medley of songs from the film Cabaret (1972).
This program features then-newcomer Sandy Duncan in her first network television special. Only a few years after being passed over by Gene Kelly for a role in Hello Dolly, Duncan's star had ascended so far so fast that he was now her special guest star. Paul Lynde is also featured in a campy version of "Bad, Bad Leroy Brown".
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.
In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.
To celebrate New Year's Eve, Eric does his talk show live in front of a studio audience.