Sonic Youth: Live at Soundstage(2003)

1991: The Year Punk Broke(en)

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

Cleveland's Screaming!(en)

Cleveland's Screaming is a documentary movie about the Akron and Cleveland, Ohio hardcore punk scene of the early 1980s. Documentaries about punk rock always focus on what was happening in London, New York or L.A. But Brad Warner and his friends didn't live in "happening" places like that. Like thousands of other kids all over the country in those days, they made their own scene in their own town out of nothing.

Green Day: The Early Years(en)

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

The Crucified(en)

Featuring nearly two hours of never before seen footage. 20+ songs from various live shows, behind the scenes footage from 1987 to 1992.

Don't Forget To Leave(en)

Tim Landers, a prolific songwriter and founding member of the emo/pop-punk band TRANSIT, struggled. He fought battles, often privately, with substance misuse and his own mental health needs. "Don’t Forget To Leave" paints a poignant portrait of Landers, from his early success up until the posthumous release of Weathervane by his band Cold Collective. His story is chronicled through archival footage and interviews with members of A Loss For Words, The Story So Far, Frank Turner, Man Overboard, Transit and Cold Collective, family members and mental health professionals.

God Save the Queen: A Punk Rock Anthology(en)

Romantic Warriors IV: Krautrock (Part I)(en)

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

Young Marble Giants: Live at The Hurrah(en)

21 November 1980. 1. NITA 2. Choci Loni 3. Radio Silents 4. Colossal Youth 5. Credit in the Straight World 6. Brand New Life 7. Include Me Out 8. Wurlitzer Jukebox 9. Salad Days 10. Final Mix 22 November 1980. 1. Music for Evenings 2. Searching for Mr Right 3. Cakewalking 4. Credits in the Straight World 5. Final Day

Last Fast Ride: The Life, Love and Death of a Punk Goddess(en)

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

One Voice(pt)

A documentary about portuguese punk/hardcore scene in Portugal.

Cascade(en)

After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.

SLC Punk(en)

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Uma Espécie de Punk(pt)

Portuguese documentary regarding the early punk scene in Portugal.

Bodyguard(en)

Speaking upon the release of ‘Bodyguard’, Black Dahlia said: “Bodyguard is a theatrical exploration of gaining a new body but your soul remains. It is a sonnet to your past physical body in this realm and the new union that will inevitably be formed. A harsh and gentle celebration of your capabilities, your limits, and your destiny.” As well as being the Director for the music video, Black Dahlia was also Producer, Art Director, Choreographer, and Concept creator for the project. Donning various characters, Black Dahlia embodies performance art and its mediums such as contortion, mime, surrealism, Dada, the avant-garde, and body horror. ‘Bodyguard’ follows Black Dahlia in various theatrical forms and her journey to transformation through reanimation that looks reminiscent of a John Waters film. It also features cameos from Melbourne-based artists, Bura Bura as Dr Barget Hower, Manda Wolf as Dr Avanti and Cong Josie as Dr Cong.

Lucero: Bright Stars on Lonesome Nights(en)

Southern indie rockers Lucero hit the road in this documentary, which shows the Memphis, Tennessee band on tour and in the studio. In addition to candid interviews with band members Ben Nichols, Roy Berry, John Stubblefield and Brian Venable, the video features footage of the band on tour with The North Mississippi All-Stars, in the studio for the recording of "Tennessee" and performing live at the Memphis in May Music Festival.

Night Lunch(en)

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

The Pogues: Poguevision(en)

Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.

What Difference Does It Make?(en)

A documentary that explores the challenges that a life in music can bring.

Finding Joseph I: The HR from Bad Brains Documentary(en)

"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

The Great Rock 'n' Roll Swindle(en)

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."