24 Frames per Century(2013)

Dramatic Relationships(en)

Scenes from the working life of a male director: Defa sophisticatedly lampoons masculinity in filmmaking with this sly, surprising meta-movie. (Courtesy of Film Society of Lincoln Center.)

Dew Line(en)

An acronym for Distant Early Warning Line, Dew Line refers to the array of radar stations built in the Arctic during the Cold War, and to the elegant shapes created by condensation. This animated tapestry of biomorphic forms elegantly dances through the life cycles of cells while hinting at the loss of botanical diversity.

Death in Venice(it)

Composer Gustav von Aschenbach travels to Venice for health reasons. There, he becomes obsessed with the stunning beauty of an adolescent Polish boy named Tadzio who is staying with his family at the same Grand Hôtel des Bains on the Lido as Aschenbach.

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Duck Dodgers and the Return of the 24½th Century(en)

Duck Dodgers finds Marvin Martian's hideout.

Calling All Curs(en)

The Stooges run a pet hospital and are the proud surgeons of Garçon, a prized girl poodle of socialite Mrs. Bedford . When two men posing as reporters kidnap the poodle, the boys frantically try track them down.

The Diva Xperience(es)

Crust(en)

A depressed has-been child actor and owner of a dingy laundromat, becomes powerfully vengeful when his collection of lone socks transforms into a protective, cute, murderous monster named Crust.

Solo de Violino(pt)

Adelaide Coelho da Cunha, daughter of the founder of the newspaper "Diário de Notícias", married to Alfredo da Cunha, then director of this newspaper, and mother of José, who is 20. This educated, cultured woman, falls in love with the chauffeur, who is youger than her and from a different social background. This passion leads to confronting the established order of things and the standards of social behaviour of a wife and mother. She may at the same time be heroine and victim of her own courage in deciding to make a final break from the whole family status and run off with the chauffeur. When his wife runs off with the chauffeur, Alfredo da Cunha with the aid of some of the eminent doctors of the day, has her declared irresponsible and incapable of administering her assets, and on this pretext he has her inprisoned in a mental hospital.

The Hanging of Big Todd Wade(en)

After being found guilty of a crime he did not commit, “Big Todd” Wade is sent to the gallows.

Lilly Schönauer - Für immer und einen Tag(de)

Unnatural Causes(en)

A dramatic thriller about a couple who own an advertising agency. The husband apparently commits suicide, but the police and the insurance company decide to investigate his death.

My Pure Joy(en)

On the outside Adam appears to be a normal teenager, but underneath...his mind has been so rotted by trauma from his past and the gory films he watches, that he has blurred the lines between reality and pretend! This prompts Adam to start killing people in similar ways to films he watches, making sure to put his own little spin on it.

The Car Wash(en)

An elderly woman (Edith Ivey) visits the local car wash and lube to connect with the world closing in around her.

Rock-a-bye(en)

A look at the Rock and Roll music industry in Canada.

Lost Everything(en)

A gay movie star struggles to stay in the closet, an art dealer fends off her abusive ex, and a televangelist plots to force his gay son into conversion therapy. Little do they know, their lives are about to converge on a deadly collision course.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Irregulars(en)

Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.

Kytarista(cs)

Invisible Hero(pt)

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

En dehors de vos murs(fr)

The Fashion Side of Hollywood(en)

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

I See The Crowd Roar: The Story of William Dummy Hoy(en)

A true story of a courageous boy who becomes a legend. Living a dream that wouldn't die; his passion empowered him to historically change the course of baseball. Facing challenges on every front he conquers all with his belief and determination; a true hero. A life changing story!

Welles' Language(pt)

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Paparazzi(fr)

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

¡Al fútbol!(es)

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

The Twenty One Pilots Universe: Welcome to Trench(en)

A documentary series finale analysing the entirety of Twenty One Pilots' new full-length studio album "Trench". Jimmy not only uncovers the stories of internal pain and fear that Tyler Joseph tells through the songs on the album. But, he also learns to overcome his own personal fears.

Violons d'Ingres(fr)

Shows hobbies of people who do an ordinary job in the day. Made for New York Fair.

The End of Summer(fr)

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Smile(en)

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

Weegee's New York(en)

The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times

Breakdowns of 1938(en)

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Liminality & Communitas(fi)

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

To Kill a Mockingbird: All Points of View(en)

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

Daybreak Express(en)

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.