82-year-old German exile Mrs. Klinsman lives in a quiet cul de sac at the far end of a failed housing development. Her pride and joy is the extensive gnome garden that surrounds her house. Trouble starts however when Bo, Will and Pam move into the house next door (to run a meth factory). Pam is the first to realize that some of Mrs. Klinsman's gnomes are alive - and hate humans. But the harder she tries to warn Bo and Will that they should leave, the more dug in (and ruthlessly antagonistic) Bo and Will become toward Mrs. Klinsman and the Johnson family (Al, Doreen and their autistic young son Henry) the only other neighbors on the cul de sac. Then, one night, Bo and Will cross the line: Bo kills Mrs. Klinsman. And the gnomes go on a murderous rampage of epic proportions - where no one and nothing is safe.
82-year-old German exile Mrs. Klinsman lives in a quiet cul de sac at the far end of a failed housing development. Her pride and joy is the extensive gnome garden that surrounds her house. Trouble starts however when Bo, Will and Pam move into the house next door (to run a meth factory). Pam is the first to realize that some of Mrs. Klinsman's gnomes are alive - and hate humans. But the harder she tries to warn Bo and Will that they should leave, the more dug in (and ruthlessly antagonistic) Bo and Will become toward Mrs. Klinsman and the Johnson family (Al, Doreen and their autistic young son Henry) the only other neighbors on the cul de sac. Then, one night, Bo and Will cross the line: Bo kills Mrs. Klinsman. And the gnomes go on a murderous rampage of epic proportions - where no one and nothing is safe.
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JUST WHEN YOU THOUGHT IT WAS SAFE IN YOUR GARDEN.
Cliff Barlowe (Thomas Slater), an aspiring author plagued by arrogance and desire for recognition, takes on a commission to write a book about an old hall in a small British village and the family that lived there. Upon his arrival, he meets Eliza Cromwell (Anique Taylor), a young woman willing to give him all the information he needs - for a dark price.
It's 1905 when 12 year old Sophia plays all by herself in her big, creepy house with only four handmade dolls as friends. When her abusive father has finally had enough, he forces her to bury them in the backyard. But, after she "slips" and breaks her neck, dad buries her right along with the dolls. 100 years later, the Fillbrook family moves into the very same house.
A murderous, flesh-eating undead young girl haunting the remote stretch of woods where she was murdered decades earlier, discovers a kidnapped and abused boy hiding in the trunk of one of her victim’s cars. Her decision to let the boy live throws her aggressively solitary existence into upheaval, and ultimately forces her to re-examine just how much of her humanity her murderer was able to destroy.
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
Andrea, a gifted young Polish violinist from Krakow, is bound for America when he is swept overboard by a storm. When the Widdington sisters discover the handsome stranger on the beach below their house, they nurse him back to health. However, the presence of the musically talented young man disrupts the peaceful lives of Ursula and Janet and the community in which they live.
Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating – and learns a lesson about family himself.
Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.
A surreal, experimental, minimalistic animated film that dives into the inner recesses of creativity, imagination, longing and inspiration. Taking place from the somber point of view of a young wizard as he lives out his day, watching over a little town. Le Geniaque pays homage to Georges Melies and 1920s silent films in general.
ITV Naturalist Nigel Marven stars in this drama-documentary in which he explores his own back garden, in all its intricate detail. Shrunk to the size of an ant, he and his two companions - technical assistant Laura Green (Sarah Matravers) and driver Doug Kruger (Robin Lawrence) - embark on a mission to cross Nigel's back garden in just 24 hours. Along the way they meet some of the many thousands of creatures that fight for survival every day in these urban jungles .
Over the course of an evening, young couple Lauren and Jim tend to the daily routines that support and sustain them.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.
A young British girl born and reared in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's castle. Her uncle is very distant due to the loss of his wife ten years before. Neglected once again, she begins exploring the estate and discovers a garden that has been locked and forgotten. Aided by one of the servants' boys, she begins restoring the garden, and eventually discovers some other secrets of the manor.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.