1978-08-19
0
A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).
Insane Tuesday debuted in São Paulo in 2001. The project was dedicated to the study of Brazilian comedy, to the transformation of actors into authors of their own characters and texts, and to the promotion of original productions of contemporary adult humor.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a transvestite visit their office.
A farmer from Vermont travels to New York and becomes a successful singer in a nightclub.
A documentary crew detail the struggle of Unbelievable Productions' visionary leader, Madeleine LaRoy, to stage a revolutionary reboot of Shakespeare's MACBETH (in space), with the help of her faithful best friend/choreographer/costume & set designer/tea lady/everything else, Deirdre Snowflake Fleckman. Madeleine enlists young drama school graduate Scott Johnson and alcoholic veteran of the stage Desmond Darke to help her mount her astounding vision.
Vatelin and his wife Lucienne love tender love. Rédillon, a friend of the couple, has been courting Lucienne for years. Pontagnac, notorious womanizer and friend of the husband, has only been courting her for a few hours ... And Vatelin is enjoying this unusual situation. Everything spoils when Maggy returns, a very old English mistress of Vatelin who blackmails her by suicide if he refuses an appointment ... Lucienne has always sworn that she would take a lover as soon as proved her husband's infidelity. Who will be elected, who will be the turkey?