Sydämeni laulu(1948)

Destination Home(en)

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

Ellis Island Tales(fr)

"Ellis Island Tales" - From 1892 to 1924, nearly 16 million emigrants from Europe passed through Ellis Island, a small block of land where a transit center was built, near the New York Statue of Liberty. "Ellis Island Tales, Stories of Wandering and Hope" - the book is composed of three major parts. Georges Perec and Robert Bober visited Ellis Island and with the help of texts and documents, restored what everyday life was about what some called "the island of tears".

Displaced Perssons(sv)

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

All of Me(es)

"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.

Grandmother Told Grandmother(en)

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.

Ricochet(en)

When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.

Meuthen's Party(en)

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

The Homes We Carry(de)

Hammer and compass in Mozambique. We see a GDR flag waved at a rally in Maputo, carried by "Madgermanes", contract workers who once toiled in eastern Germany. Some of them founded families there, like Eulidio. His daughter Sarah grows up with her mother in Berlin. The relationship with her "second home" is slow in growing, partly thanks to Luana, Sarah's baby, whose father, Eduardo is also from Mozambique.

Oldemors reise(no)

Alone(fr)

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

Calls from Moscow(es)

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

Elsewhere, Everywhere(fr)

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Carnations(en)

Seven strangers are interviewed to talk about the relationship they have with their mother.

"An Untitled Film" by George Alshevskij-Jones(en)

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Luntano(it)

Baggages(fr)

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

The Shelter(fr)

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

Devant – Contrechamp de la rétention(fr)

Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.