Jinsuk & Me(2012)

Crazy Money(en)

What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …

Dias de Greve(pt)

The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.

Poland 1939: When German Soldiers Became War Criminals(de)

September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.

Acasă, My Home(ro)

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

Once Upon a Time in Venezuela(es)

Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.

Chuy, The Wolf Man(en)

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

Freedom Swimmer(en)

Olivia Martin McGuire (China Love) parallels a grandfather’s journey to safety during the Cultural Revolution with his granddaughter’s fight for freedom in Hong Kong today. Interweaving unflinching testimony of the elder’s exodus from the Chinese mainland, exquisitely animated recreations of the perilous escape to Hong Kong through land and sea, and vivid, evocative archival footage of both mid-20th-century China and the Hong Kong protests today, Freedom Swimmer emerges as a gripping and timely account of the struggle for survival across generations.

Stunned, I Remain Alert(pt)

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Miners Shot Down(en)

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

El Equipo(en)

An unlikely collaboration between a forensic scientist from Texas and a group of Latin American students changes the course of forensic science and international human rights.

Free Tibet(en)

A film about the Tibetan Freedom Concert in San Francisco in 1996.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

La bataille de Florange(fr)

Not Even in a Wildest Dream(pt)

The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

Hot House(he)

In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.

Spectrum(el)

Through personal stories, the documentary approaches the issues of gender identity and legal gender recognition in Greece. The three main characters explain how society has treated them, by narrating their experiences from the past and the present.

Chauka, Please Tell Us The Time(en)

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

I Am FEMEN(ru)

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

Caos de tránsito(es)

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...

The Golden Thread(en)

In the heyday of the jute industry, millions of people in Bengal made their living doing this laborious work, which has hardly changed since the industrial revolution. The 100-year-old machinery has been endlessly repaired. State aid kept this sustainable alternative to plastic going, but its future looks bleak.