
Jinsuk & Me(2012)
'We are meant to be...'
I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?
Movie: Jinsuk & Me
Top 2 Billed Cast
Self

깔깔깔 희망버스
HomePage
Overview
I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?
Release Date
2012-09-27
Average
0
Rating:
0.0 startsTagline
'We are meant to be...'
Genres
Languages:
한국어/조선말Keywords
Similar Movies

The World's Worst Place to Be Gay?(en)
Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.

The Overnighters(en)
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.

Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Power Meri(en)
Power Meri follows Papua New Guinea's first national women's rugby league team, the PNG Orchids, on their journey to the 2017 World Cup in Australia. These trailblazers must beat not only the sporting competition, but also intense sexism, a lack of funding, and national prejudice to reach their biggest stage yet.

Blood Money: Inside the Soviet Economy(fr)
How did the USSR - a country considered a second-rate industrial power, economically inferior to Germany, the USA and the UK - shape its victory over the armies of Hitler's regime, and secure its place among the winners?

War and Justice(de)
War and Justice is the first and only true-life documentary about the International Criminal Court (ICC), thanks to unprecedented access to Ben Ferencz, Luis Moreno Ocampo (ICC’s first prosecutor), and Karim Khan (its current prosecutor). Film directors Marcus Vetter and Michele Gentile follow Ocampo around the world as he enlists the support of Academy Award-winning Angelina Jolie and as they join Ferencz in the uphill battle against wars in the Congo, Libya, Palestine, and Ukraine.

It Started with Trees – Revolt in the Gezi Park(cs)
Protesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.
From 3 to 22(sh)
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

Blow It to Bits(fr)
A mix of Rock and Roll and Blues are the secret for successful rebellion. When I took my camera to the middle of France where the GM&S factory was threatened by a permanent shut down, I felt like something extraordinary was about to take place. And it did. The lyrics were written by workers who have had enough! The tune was composed by people not afraid to go against even the rules of revolt! The volume was loud enough to attract the media. Their working-class concert spread across France like wild fire. I sat out of sight, camera in hand, filming like catching fish in a barrel.

Lullaby of the onion(eu)
Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?

Posted by: İlhan Sami Çomak(tr)
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.

The Bannfoot Ferry(en)
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Motherland(be)
Svetlana has lost her son who was found dead while he was in the army. As she tries to shed light on the culture of violence and abuse in the Belarusian military, a group of young friends from the techno underground soon face being drafted themselves. They go to rave parties in undershirts and round sunglasses, but in a moment the party could be over – at least until huge protests break out in the streets following the recent ‘re-election’ of dictator-president and Putin sympathiser, Aleksandr Lukashenko. A glimmer of hope and a promise of change, which only causes the brutality of the authoritarian society to erupt in full force.

Hating Peter Tatchell(en)
The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil diso bedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.
Contract(fi)
Documentary about the nurses' strike in Finland on autumn 2007.

Collective(ro)
In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.

The New Greatness Case(ru)
Anya was an ordinary Moscow teenager who found a chat group of her choice online. They talked about animals, the stars and social issues. A man called Ruslan D joined the group, who set up an office space for the online group to meet. Step by step, he began to lead young people who were critical of the Putin's regime towards political activism. Ruslan D placed a camera in the meeting room, and when he had enough footage, he handed it over to the prosecutor. The police raided the teenagers' homes and they were arrested on charges of planning to overthrow the government and terrorism. Three years of legal proceedings transformed Anya's mother from a loyal follower of Putin to a hunger-striking activist. Moscow-based director Anna Shishova followed Anya and her mother's life throughout the event and eventually revealed the true identity of Ruslan D.
Resistance(it)
In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

Hot House(he)
In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.