Pyhä(2017)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

White Walls Say Nothing(es)

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Tell Them We Were Here(en)

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

Roundhay Garden Scene(en)

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Tinkebell - Who Killed the Blue Bird?(nl)

Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?

Martin Blaszko III(es)

Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

Podoby sveta(sk)

È questa la vita che sognavo da bambino?(it)

Hamilton: One Shot to Broadway(en)

It’s the hit musical that changed Broadway forever and brought the genius of Lin Manuel Miranda to the attention of legions of fans across the world. A story of how a group of mavericks made an unlikely marriage of hip-hop and history to create the biggest show in America…and are getting ready to conquer the world. Featuring interviews with Miranda, as well as the cast and crew of Hamilton.

Beautiful Thing: A Passion for Porcelain(en)

Documentary in which Ros Savill, former director and curator at the Wallace Collection, tells the story of some incredible and misunderstood objects - the opulent, intricate, gold-crested and often much-maligned Sevres porcelain of the 18th century. Ros brings us up close to a personal choice of Sevres masterpieces in the Wallace Collection, viewing them in intricate and intimate detail. She engages us with the beauty and brilliance in the designs, revelling in what is now often viewed as unfashionably pretty or ostentatious. These objects represent the unbelievable skills of 18th-century France, as well as the desires and demands of an autocratic regime that was heading for revolution.

What Price Art? By Tracey Emin(en)

Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?

Sculptures for a Windless Space(en)

A short film with shots of sculptures by Anneke Walvoort. The materiality of film plays an important role: visible grain, flashes of colour, unexpected camera movements.

Ashes and Snow(en)

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

Jeff Koons: The Whitney Retrospective(en)

The Whitney Museum of American Art presented the landmark exhibition Jeff Koons: A Retrospective from June 27 to October 19, 2014. It was the largest, most comprehensive survey of Koons’s art ever assembled, spanning four decades of his career and displaying 145 works from every series, including 13 new pieces exhibited publicly for the first time. The film follows Koons and Whitney Chief Curator, Scott Rothkopf, who conceived and organized the show, through every gallery of the exhibition. In addition, insightful interviews with Adam Weinberg, the Whitney’s Director, Robert Storr, Dean Emeritus of the Yale School of Art, and Michelle Kuo, Editor of Artforum, help to deepen the investigation into Koon’s art and process.

Mannen, myten och huset(sv)

About the artist Ian Hellström (1925-2012) with his own museum. A tour of Ian's house is an adventure in art, antiques, skulls and dolls, all in perfect balance. Ian created various jewelry sculptures, a kind of collage with glass beads, brooches, simple jewelry and various toys, which were sometimes pasted into boxes with small compartments. His colorful art and cross-border life is captivating but not always easy to understand.

Georgia O'Keeffe: Painter of the Far West(fr)

Enlightened by her biographer Roxana Robinson and art historian Barbara Buhler Lynes, co-founder of the Georgia O'Keeffe Museum in Santa Fe, this documentary unfolds the fascinating trajectory of the artist who became an icon of American art. Featuring her works, her confidences - between interviews and excerpts of correspondence read by Charlotte Rampling - and her husband's photographs, this film explores the two inseparable passions that marked Georgia O'Keeffe's life and career: Alfred Stieglitz and New Mexico, which she never ceased to travel through, like a pioneer, in order to immerse herself in its Indian culture and its grandiose landscapes.

Basquiat: Rage to Riches(en)

This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.

Snow in Curitiba(pt)

In 1928, the city of Curitiba went through a rare snowstorm. To this day, it is the harshest snowstorm to ever take place in the city. Everything was recorded by Alberto Botelho in this short documentary.

Victoria Villasana(en)

This short documentary explores the creative process of Mexican textile artist Victoria Villasana. Her work is vibrant and emotional, with each piece telling a story through the blending of thread and monochrome photos. Victoria’s careful selection of colors, geometric shapes, and forms brings her vision to life. We delve into her sources of inspiration, the power of working with her hands, and her unique approach to art.

Inventory(fr)

A documentary by Olivier Gonard, shot partly in Paris’s Musée d’Orsay, that examines Olivier Assayas' film Summer Hours, and its approach to art.