The construction of a dam on the Euphrates River is an example of a country’s economic development. Through grandly composed images, rhythmic editing, and aestheticized details, the director demonstrates his admiration for the interwar avant-garde. The film is a celebration of the new, while at the same time showing a traditional way of life and calling attention to working conditions; it is a refrain-like evocation of an arid country that explores the difficult lot of Syria’s rural inhabitants.
The construction of a dam on the Euphrates River is an example of a country’s economic development. Through grandly composed images, rhythmic editing, and aestheticized details, the director demonstrates his admiration for the interwar avant-garde. The film is a celebration of the new, while at the same time showing a traditional way of life and calling attention to working conditions; it is a refrain-like evocation of an arid country that explores the difficult lot of Syria’s rural inhabitants.
1970-01-01
2.5
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.
Between reality and animation, the story of Nidhal is told, a young homosexual Tunisian who defended individual freedoms in Tunisia through his work in radio. He found himself under a lot of pressure which forced him to leave the country and seek asylum in the Netherlands.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.
The apocalyptic blast in the Port of Beirut, Lebanon, on August 4, 2020, exacerbates anger at those in power: protests cross religious boundaries as the Lebanese people curse corruption, nepotism, gross economic mismanagement and squandering of resources. How did the Land of Cedars, a country with so much to offer, allow itself to get into such a dire situation? And will it be able to bounce back?
As the United States and Iran are locked in a battle for power and influence across the Middle East—with the fear of an Iranian nuclear weapon looming in the background—FRONTLINE gains unprecedented access to Iranian hard-liners shaping government policy, including parliament leader Hamid Reza Hajibabaei, National Security Council member Mohammad Jafari and state newspaper editor Hossein Shariatmadari. In this report, FRONTLINE examines how U.S. efforts to install democracy in Iraq have served to strengthen Iran's position as an emerging power in the Middle East.
This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.
Discusses the history of the Middle East. Contrasts old ways with the new in agriculture, industry, etc. in emphasizing the changing image of this part of the world.
Follows the repercussions of the Israeli Security Wall and Settlement expansion in the engulfed/annexed Palestinian farming communities of the West Bank and the Gaza Strip, examining the grassroots resistance movement that sprang up against it. An interminable road trip across hard and liquid borders, across a terrain that is being erased as it is being traversed.
The first documentary to present an unabashed critique of the impact of the Syrian government’s agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state’s conceit of redressing social and economic inequities.
A humor-inflected history of the of the number one, covering military applications in ancient Rome, the measurement of distances in India, and the decimal system created by Leibnitz.
The persecution, kidnapping and murder of Assyrian Christians in Iraq is tragically increasing!
The inside story of the bitter clash between President Obama and Israeli Prime Minister Netanyahu. Amid violence in the Middle East, the film traces Netanyahu's rise to power and his high-stakes fight with the president over Iran's nuclear program.
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
On the verge of the election, the director Avi Mograbi aims to make a documentary on the most maligned Israeli politician, Arik Sharon. Against all his prediction, Mograbi discovers that Sharon is friendly and welcoming, completely different from the man who was thought to be...