The story of friendship on the eve of the free officers' revolution: Youssef, an unprincipled journalist, whose star rises thanks to his connections, and Shawki, an idealist man committed to social justice
The story of friendship on the eve of the free officers' revolution: Youssef, an unprincipled journalist, whose star rises thanks to his connections, and Shawki, an idealist man committed to social justice
1968-10-28
6.5
When royal Princess Courtney trades places with famous rock star Erika, two worlds collide while both learn to appreciate new friends and experiences.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.
Acting Lieutenant Hornblower and his crew are captured by the enemy while escorting a Duchess who has secrets of her own.
Madeline carves a cross in memory of her husband, lost at sea. A sculptor recognizes her skill and invites Madeline to leave her fishing village and come to the big city. Later, the memory of the cross comes to her mind at difficult moments.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
The story revolves round three teenagers - Prageeth (Roshan), a younger, darker version of Hugh Grant, the son of a business tycoon (Corea), whose fiance is Veena (Anarkali); Sithum (Pubudu), the son of a Postman (Jayalath) is in love with Pooja, (Chathurika) while Ramith who says he comes from the middle class, and is seduced by his biology teacher who as luck would have it lives in an apartment directly opposite his block of flats, nevertheless, voices every teenagers views of life when he says all he wants to do is to take things easy.
Small, yellow-bellied forest spirits make a discovery that threatens the balance of their world.
A double agent trying to deliver information to Washington, D.C. is chased by Nazi operatives.
A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.
Shehata is a committed employee in a private hospital. He lives with his daughter Nemat and his wife. One day Hussein proposes to his daughter, but the problem is that Shehata is unable to prepare his daughter, which prompts him to ask for an advance from the company. After management refuses, one of the bribed employees takes advantage of the opportunity and offers Shehata received a sum of money in exchange for a trust receipt, which he quickly used against him, especially after Shehata discovered that an incident of embezzlement had occurred.
Othman Abdelbaset suffers from the intervention of his mother-in-law in his life with his wife. He always worries about his assistants in the pancake shop he runs until his mother-in-law succeeds in cutting him off with his wife and turning his life into hell. He thinks of committing suicide and introduces his idea to his aides. The three go to sea to carry out the idea, but one of the sailors sees them leading the boat trip to one of the islands and they are on an adventure inside the Prince of the Island where they fight the bad guys who want to take over the island rule
Ismail wants to grab his wife's Turkish money, claiming that he has the children of a former wife who died, and that he can not spend on them, but Ismail does not realize that this little lie has left him in an endless series of lies, Of each lie with a greater lie, and every time the wife deals with him in good faith.
Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.
A doctor, who commits malpractice in a major urban hospital, retreats to a remote house in the countryside. Although he is acquitted, his conscience is not so easily appeased. When a murder occurs and the southern Styria village searches for the culprit, he has to take a stand.
Bored of routine, Wilson Ward recruits his best friend Leon Mark to start a fight club that the whole school can join... however the power goes to his head and his life catches up to him.
A young person finds themselves chased by a mysterious presence in rural Eastern Washington
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
The story of three women, of very different epochs, whose lives are strangely parallel. The first story, during colonial times, has a man brutalizing both his wife and a female black servant. Parallel with this story is that of a modern couple who perpetuate the stereotyped role of the woman as subservient.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A hardened businessman takes a prostitute to his house. He hopes she can help him feel human again.
In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.