Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.
When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been.
The eccentric and childish Pee-wee Herman embarks on a big adventure when his beloved bicycle is stolen. Armed with information from a fortune-teller and a relentless obsession with his prized possession, Pee-wee encounters a host of odd characters and bizarre situations as he treks across the country to recover his bike.
Gauche is a diligent but mediocre cellist who plays for a small town orchestra and the local cinema in the early 20th century. He struggles during rehearsals and is often berated by his conductor during preparations for an upcoming performance of Beethoven's Sixth Symphony. Over the course of four nights, Gauche is visited at his mill house home by talking animals as he is practicing.
This intimate and loving portrait of the legendary arbiter of fashion, art and culture illustrates the many stages of Vreeland's remarkable life. Born in Paris in 1903, she was to become New York's "Empress of Fashion" and a celebrated Vogue editor.
A pathologist experiments with a deaf-mute woman who is unable to scream to prove that humans die of fright due to an organism he names The Tingler that lives within each person on the spinal cord and is suppressed only when people scream when scared.
Polish documentary directed by Tomasz Sekielski about child sexual abuse in the Catholic Church in Poland.
A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.
Camille wanders through the countryside talking with frogs and chickens: she sails through life as a carefree soul. But for her older sister, the introverted Mylia, things are more complicated. Mylia is lost between the uncertainty in her family life, the superficial atmosphere at her new school and her first experiences at house parties. It is Camille who eventually introduces Mylia to Jimmy. The boy from the nearby Abenaki reserve is different and he encourages her to break free.
The barbaloots are told by the Once-Ler that they can sit on the wagon and that it had better not move. They and the donkey nod in agreement. The barbaloots try to get the donkey to move. He won't move. The small barbaloot taunts the donkey with what looks like an apple in front of him on a long pole the he's off. Did they get the wagon back in time? Yes, but what transpired from start to finish?
The only fragments remaining of the film today depict a dentist named Dr. Maxwell Payne making bloody experiments with his patients. He tries a woman, and after that the monster of the title shows up, roaring. In the following clip, the woman leaves, as Dr. Maxwell Payne searches for another victim.
Tim Burton's reimagined classic combines live action and stop motion, making for a creepy adventure into the woods. It is known for having aired only once on Disney Channel, on Halloween Night in 1983.
Sickan has a new plan. This time, the gang are going to steal a small computer micro chip which contains a top secret plan of what the government intends to do with Sweden in the future. But, Wall-Enberg is also planning to steal the chip. The payment will be 55 million Swedish crowns in gold and diamonds to whoever can deliver the chip to the foreign investors. Who will grab hold of the chip, the Jönsson gang or Wall-Enberg?
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
A convicted criminal dreams about his past the night before his execution.
Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.
A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.
In a remote part of the Amazon, a traveling photographer has an intense affair with a preacher's wife, but secrets from her past threaten to ruin them both.
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
Facing mounting insect deaths, concerned bugs view a documentary film about Sherwin-Williams's lethal new PESTROY pesticide coating.
In the brief moments before a hate crime occurs, a young woman imagines her escape.
Michele Bernardi has created a portrait of the dancer and choreographer Pina Bausch (July 27, 1940-2015), inspired by various film and video clips of her in the incessant studio of movement. The animation is rotoscoped and it recapture the almost abstract quality of dance. The soundtrack by Luca D’Alberto enhances the succession of images and recomposes a unique cameo whom the legendary Pina she is.
A stop-motion puppet animation adaptation of Hans Christian Anderson's tale The Ugly Duckling.
A short puppet animation. Winner of the Oofuji Noburou Award.
Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.
The fourth instalment of the Deadly Scent adventure series of short films, in which Zea and Lucius this time resist the snares of the criminal Dr. Goad under the surface of the sea.
Nova, immersed in metaphors that cross her unconscious, is guided by fate, door to door.
Ulric's daughter unites with warrior Thane against evil Lord Khoura, who covets the knife of Aktar.
The Sun rises and greets Clea, a sleeping beauty, a goddess, the spirit of the earth, but she is frightened and flees, pursued by the mighty star, infatuated with her.
In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).
an intuiting of the core feelings of the Moses story relating to the current capitalistic global system all told through a hybrid of stop motion animation and live action.
In a time of universal manipulation, deceit and monopoly a failed attempt to strip our identity both individual and collective are transcended by our true in identity in Christ the Lamb.
An abundant fog has engulfed the coastal cove where Agatha lives, preventing her father, a humble fisherman, from returning home. Unable to take care of her, her mother casts her out.
After being buried in quicksand for the past 25 years, Kharis is set free to roam the rural bayous of Louisiana, as is the soul of his beloved Princess Ananka, still housed in the body of Amina Mansouri, who seeks help and protection at a swamp draining project.
An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka's spirit has been reincarnated into another body, he kidnaps a young woman of Egyptian descent with a mysterious resemblance to the princess. However, the high priest's greedy desires cause him to lose control of the mummy...
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.