Orson Welles in Spain(1966)

Pigskin Parade(en)

Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. The hillbilly farmhand's ability to throw melons enables him to become their star passing ace.

Cut Piece(en)

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Avatar(es)

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Aliens vs Avatars(en)

Six college friends blowing off steam on a camping trip, find themselves caught up in a cat and mouse hunt with an Alien monster. Not knowing what to do or who to trust, they struggle to protect themselves. Reluctantly, they join forces with another, seemingly friendly, alien, Ava, who orbits the Earth and appears to them in the form of an avatar. Having only one chance at stopping the monster, they must race to locate and repair the Ava’s earth sent robot, before it slaughters them one by one.

The Last One of the Six(fr)

Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

Volunteers(sh)

In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures

Capturing Avatar(en)

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

American Jail(en)

In this deeply personal film, director Roger Ross Williams sets out on a journey to understand the complex forces of racism and greed currently at work in America's prison system.

Naruto OVA 10: Uchiha Madara vs Senju Hashirama(ja)

Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.

Avatar: Scene Deconstruction(en)

The deconstruction of the Avatar scenes and sets

Naruto to Boruto: The Live 2019(ja)

“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.

13(ja)

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Re-Births(fr)

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

Zombie Fight Club(zh)

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

LEWISTON(en)

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

Pablo's Winter(es)

Pablo needs to stop smoking. Why? Because his wife, family and doctor say he should. But Pablo is a stubborn man. He has worked in the mercury mines of Almadén, Spain, risking his life daily. He has had five severe heart attacks and smoked 20 Winston's a day since he was 12. Now in his seventies, Pablo spends most of his day in front of the TV, surrounded by a cloud of smoke, with his back turned firmly towards a village that has lived through better times. Pablo represents the last generation of Almadén mercury miners, an age-old profession with over 2,000 years of history. Through a straightforward depiction of life's everyday moments, Pablo's Winter explores the decay of the local mining culture, but above all, pays homage to its real protagonists: the miners and their families.

Jerry, Jerry, Quite Contrary(en)

Jerry keeps sleepwalking and doing things unknowingly to Tom. He becomes aware of this and tries to stay awake.

Ziegfeld Follies: An Embarrassment of Riches(en)

A short documentary on the making of the 1946 film Ziegfeld Follies.

The Irreversible Odyssey(fr)

The Irreversible Odyssey is a retrospective documentary featuring interviews with Gaspar Noé, actors Monica Bellucci, Vincent Cassel and Albert Dupontel.

So long, Good Times(de)

You only die once. A film about the life of a corpse.

Dearly Departed(en)

Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.

After the Death(th)

After I died from suicide, I was punished for this deadly sin, to live alone in the spirit world deep in the sea, but He gave me a chance to redeem my sin by shooting a film of a philanthropist's afterlife to ask and get the merits, I've been waiting for overly time to see a philanthropist's spirit.

Alien: Terror in Space(fr)

A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.

SECULAR | Aa'La'Ma'Ni(en)

How is secularism depicted in films? The term "Aa'La'Ma'Ni" means worldly in Arabic. It's significant in the Middle East, where secularism is controversial since the majority often link secularism with atheism and anti-religious sentiment. SECULAR | Aa'La'Ma'Ni, a documentary based on academic research, explores the depiction of secularism in Middle Eastern cinema and TV channels. Filmmakers and regional producers openly discuss religion, sectarianism, authorities, minorities, and industry challenges.

The Silence of Others(es)

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

My Friend Richard(en)

The life and times of artist Richard Ellis

Deadly Gorgeous(pt)

Deadly Gorgeous is a documentary about the importance of beauty even after death. Mixing fiction and reality, the film explores the world of corpse makeup artists, cemeteries and a couple that need to think about how their own funerals would be like.

Kubrick by Kubrick(fr)

American filmmaker Stanley Kubrick (1928–1999), one of the greatest in history, but also one of the most reserved, gave few interviews throughout his long career, and none of them were filmed. A first-person journey through his life and work, based on a recorded conversation with French film critic Michel Climent.

À la rencontre de Marcel Hanoun(fr)

Film about Marcel Hanoun at work while making his film Les amants de Sarajevo in 1993.

King Kong: Monster and Myth(fr)

In 1933, Merian C. Cooper and Ernest B. Schoedsack, two audacious and visionary directors, dared to create a motion picture that eclipsed everything seen until then: when King Kong was released, it was celebrated as an artistic and technical revolution and became the first myth created by the young cinematic art.

Mourir pour soi(fr)

Audience of One(en)

The film follows the story of a San Francisco Pentecostal minister Richard Gazowsky on his quest to shoot a groundbreaking fantasy film called Gravity: The Shadow of Joseph (described by him as "Star Wars meets The Ten Commandments"). The film follows him and members of his church as they go through pre-production and fly to Alberobello, Italy, for initial shooting that turns out to be marred with difficulties.

Making Dust(en)

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

3 Still Standing(en)

Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.

Henri-Georges Clouzot's Inferno(fr)

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

Under a Blue Sun(en)

Negev Desert, Israel, 1987. Bashir Abu Rabi'a works as a pyrotechnics and special effects assistant on the film Rambo III, starring Sylvester Stallone, a shoot that will have far-reaching consequences for the local Bedouin population.

Jill Bilcock: Dancing the Invisible(en)

With credits including Strictly Ballroom, Muriel’s Wedding, The Dish, Moulin Rouge!, Romeo + Juliet and Road to Perdition Jill Bilcock is regarded as one the world’s great film editors. Axel Grigor’s hugely entertaining documentary traces Bilcock’s journey from Melbourne film student in the 1960s to working as an extra in Bollywood movies and learning her craft when Australia had virtually no feature film industry. Bilcock’s cheeky charm and illuminating appearances by key collaborators make this a must-see for film lovers.