The Top of His Head(1989)

Hugo Koblet - The Charming Cyclist(de)

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.

Journal de Rivesaltes 1941-42(fr)

From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.

Mirr(km)

Debra Milke(en)

Josh's Trees(en)

Ina, Amer & Elvis(en)

Shake the Devil Off(en)

Scissere(en)

A recently released mental patient imagines himself living the lives of three different people he randomly encounters.

SeelenSchatten(de)

Two women and a man suffering from severe depression are accompanied by a camera for a year and a half. The acute phase of their depression is the starting point for this filmed account. How do they cope with their illness and their stay in hospital? How does their professional and family situation evolve after this major crisis? When do they feel cured again?

Bis ans Ende der Träume(de)

Both aspire to remain true to themselves and to build their lives freely. This bold vision in the 1950s is that of Katharina von Arx and Freddy Drilhon, when they meet during a trip to Polynesia. A passionate love unites them; she becomes famous as a reporter and illustrator, and he as a photographer. When the couple settled with their daughter in Romainmôtier to turn the ruined priory into their new home, their relationship was put to the test. While Katharina put all her energy into restoring the impressive building, Freddy began to feel depressed in this remote village in the canton of Vaud. A serious crisis erupted between the two and they broke up. Freddy left Katharina to start a new life on the south coast of England—but the love that united them did not fade.

Miriam Goldschmidt – Creator of the In-between(fr)

Nearing the end of a long and successful stage career, Miriam Goldschmidt finds her prowess as an actress increasingly on the wane. She struggles to memorize her lines and as her last project with lifelong collaborator, the legendary director Peter Brook, threatens to fall apart, Miriam looks back. Referencing Brook’s ground-breaking book «The Empty Space», she uses an empty rehearsal room in Berlin to invoke her archetypal life journey that took an orphaned black child from post-war Germany to the world’s biggest stages. We «Call Her Miriam» is a bewitching and moving portrait of a great artist living between dream and reality, truth and fction and life and death.

Dimitri - Clown(de)

Lucie et Maintenant(fr)

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

Into Great Silence(de)

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

At(h)ome(en)

More than fifty years after the end of the war, a filmmaker and a photographer, coming from the two camps of conflict and children heirs of Franco-Algerian colonial history, took us back in 1962 to the Algerian Sahara. From a desert zone irradiated to the suburbs of Algiers, they follow the course of an experimental nuclear explosion. From the trial to the accident, from the environmental impact to the "recycling" of the places of the past ... The starting point is historical but the story told catches up with us in the present and comes to seek us where we are - at home - for a face to face with fallout without borders.

Bear-Like(de)

At the far end of the Alaskan peninsula, for filmmaker Roman Droux a childhood dream comes true. He discovers together with the bear researcher David Bittner the universe of wild grizzlies. The two adventurists face bears at smelling-distance, experience the struggle for survival of a bear family and witness dramatic fighting scenes. Driven by a desire to explore the unknown the film tells a personal story of wilderness, framed in breathtaking pictures of unique creatures.

La Terre Promise(fr)

Philippe Savoy head of the choir at Saint Michael's College in Fribourg is preparing to take his fifty-five students to Palestine for a series of concerts. From Bethlehem to Ramallah, passing by Jerusalem and Hebron, between check points and churches, discovering both refugee camps and historical tourism around the Dead Sea, the young musicians will discover an exploded territory, a country living in provisional peace with, in the background, the permanent humiliation of the Palestinian people.

Life in Progress(en)

Ho und Überall(de)

Babylon 2(fr)

The first film about second-generation Swiss immigrants: A Turkish ice hockey player explains why, in Switzerland, he could only fall in love with an Italian. A young Italian woman explains why she prefers to rap in English. A hip-hop artist with Hispanic origins fights for his political rights and the director reminisces on how, despite his Arabic roots, he's been persecuted as a Jew. Babylon 2 reflects the rise of a new urban culture in Switzerland, which is instigated by the second generation of immigrants and the help of electronic media.