Each day, men from various parts of Asia make a stop in Ho Chi Minh City (Saigon) where they embark on their search for a perfect match. Using verité footage and interviews, Match Made offers a glimpse into the intricate network of the buying and selling of women as brides from villages around Saigon.
Vietnamese Interviewer
Vietnamese Interviewer
Vietnamese Interviewer
Each day, men from various parts of Asia make a stop in Ho Chi Minh City (Saigon) where they embark on their search for a perfect match. Using verité footage and interviews, Match Made offers a glimpse into the intricate network of the buying and selling of women as brides from villages around Saigon.
2006-01-01
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A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
5.7Blood Road follows the journey of ultra-endurance mountain bike athlete Rebecca Rusch and her Vietnamese riding partner, Huyen Nguyen, as they pedal 1,200 miles along the infamous Ho Chi Minh Trail through the dense jungles of Vietnam, Laos, and Cambodia. Their goal: to reach the site where Rebecca’s father, a U.S. Air Force pilot, was shot down in Laos more than 40 years earlier.
0.0Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
0.0In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.
7.7Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
7.6Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
0.0To provide for his young family, a food vendor searches for customers in the ancient city of Hue from sunset until the early morning. An insight into the the life of a banh bao vendor. Hoa, 42; a farmer by day who has been selling banh bao on Hue’s streets for 12 years. Hoa cycles from his country home to Hue every afternoon to sell a barrel load of the Vietnamese dumplings and provide for his young family.
A Hmong guide's daily life in the mountains of Sapa, North Vietnam.
0.0While the war raged on, Henry Kissinger, national security advisor to President Nixon, and Lê Duc Tho, member of Vietnam's Politburo, held secret meetings in France.
6.3A Vietnamese documentary on human suffering and the meaning of kindness.
5.0An anti-war film about the personal suffering behind the hard statistics, which show that more than four million Vietnamese died during the Vietnam War, as opposed to 58,000 Americans. We hear South and North Vietnamese, including émigrés to the United States, describing how huge numbers of friends met their deaths, caught as they were between government forces, the Vietcong, and the Americans; how political boundaries divided not only the country, but also families; how mothers deserted their children because their fathers were American soldiers; and how the war cruelly lingers on long after hostilities ceased, in the lives of children born crippled by chemical weapons.
0.0Adventurer and journalist Simon Reeve heads to Vietnam to uncover the stories behind the nation's morning pick-me-up. While we drink millions of cups of the stuff each week, how many of us know where our coffee actually comes from?
0.0She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.
The Art of Nom explores an ancient and nearly extinct Vietnamese script called Chu Nom and the five scholarly artists known as Zenei, Gang of Five. The beauty, heritage and emotion of the Chu Nom characters inspire Zenei’s art. The film also examines Vietnam’s culture, history, customs, and the social impact of rapid modernization in a changing world. Art of Nom follows Zenei through their research and explorations that takes them far off the beaten path. They enter hidden library chambers of Buddhist pagodas to examine original Nom scriptures and woodblocks preserved by monks through the centuries. Led by renowned artist Le Quoc Viet, Zenei is a collective of avant-garde calligraphers forging a new path, merging contemporary visual expression with a nearly extinct script. Zenei elevates art and history to a new level of experience.
6.9Both sober and sobering, producer-director Emile de Antonio’s In the Year of the Pig is a powerful and, no doubt for many, controversial documentary about the Vietnam War.
0.0As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
2.5A Hundred Years of Happiness; an observational documentary, is a personal portraiture of a Vietnamese farming family and their daughter Tram. While her father instils in her the importance of familial obligation to care for one’s ageing parents, her mother desires a secure future devoid of economic hardship. Determined to fulfil both her parent’s wishes, Tram pursues a new life in South Korea as a migrant bride, but her fast-tracked journey leaves little time for reflection.