
A documentary film by Millikin University graduate Katie Kocan '25, giving a behind-the-scenes look at the production of Shakespeare's "Twelfth Night" by the student organization Shakespeare Corrected at the Decatur Correctional Center in April 2025.
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7.0José Corbacho and Catalina Solivellas met thirty years ago sharing stages, dressing rooms, laughter and also some sadness. They they began to be aware of how therapeutic theater can be in difficult times. Years later, and inspired by Don Quixote, they decided to put together a free version of the chivalric novel, together with Mallorcan amateur actors and actresses with a mental health diagnosis. The documentary proposes a journey in which José, Catalina and the wonderful company created for the occasion, share stages, dressing rooms, laughter and also some tears.
0.0A documentary on Goshen High School, a school in Upstate New York, and its theater program which has a vast history spanning over 60 years. The film explores Paul Wright, the founder of Goshen's theater program, and the history of the program up until the cancellation of the 2020 musical of Beauty and the Beast. This film takes a deep dive into the process of how Goshen High School musicals are produced and what makes this theater program so special
0.0We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.
4.0Rafe Esquith, 1992 American Teacher of the Year and National Medal of Arts recipient, teaches 5th-grade children whose parents don't speak English at a school in a dangerous, poor, drug-infested 100% Latino/Asian neighborhood in Los Angeles.
7.9The warden of Halden, Norway's most humane prison, tours the U.S. prison system to urge a new approach emphasizing rehabilitation.
0.0An evening of celebrated stars performing the titles songs from Broadway’s best.
0.0A film by Séverine Barde, adapted from Dorian Rossel's play, based on Ingmar Bergman's fictional autobiography. A powerful self-portrait, at the crossroads of theater and cinema, from the collection De la scène à l'écran.
0.0In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.
0.0Although the past two years have been challenging for the Theatre industry, they also showed its incredible strength and resilience. Through interviews with West End performers and creatives, this documentary outlines the difficulties presented to our industry over the course of the pandemic, as well as highlighting changes - both positive and negative - that have come from it. An emotional reflection on a battle it was worth fighting for. All profits will be going to 'Acting for Others', an organisation that provides support to all theatre workers through 14 member charities. We hope these stories full of passion for Theatre inspire you just as much as they inspired us!
8.0In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.
0.0The hour before actors go on stage at the National Theatre in London is a performance in and of itself.
9.0Maryam Henderson-Uloho spent thirteen years in prison in Louisiana, seven in solitary confinement. After her release she struggled to find housing or employment. She began selling secondhand goods out of a suitcase on a street corner in New Orleans. In just three years, she grew her business to a brick-and-mortar thrift store—one that also provides housing and employment for other formerly-incarcerated women. She calls those women—and her store—Sister Hearts.
0.0The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
7.5On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.
7.0From Boris Karloff to Mel Brooks - Frankenstein has fired the imagination of generations of artists who have created their own interpretation of this Gothic masterpiece. Frankenstein: A Modern Myth looks at some of these depictions, including Danny Boyle's sell-out hit at the National Theatre. The film has exclusive access to rehearsals and interviews with Benedict Cumberbatch and Jonny Lee Miller - who alternate the roles of Victor Frankenstein and the Creature - and with Danny Boyle. It also features cult film director John Waters: "I'm sympathetic to monsters, and this was the first one I came across as a child".
