Face 75(1965)

See Me: A Walk Through London's Gay Soho in 1994 and 2020(en)

This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.

La noirceur souterraine des racines(fr)

Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants and the nature that surrounds us. It’s a dive into the heart of matter, the essence of the vegetal world and the nourishing earth.

Arktis - Zwischen Licht und Dunkel(de)

Arktis is a poetic approach to the bizarre landscape of ice, rock, and water; a journey to the arctic ocean and surroundings, with images and sounds. Seventy one-second scenes of the arctic serve as the original material, which is then transformed in its texture, time lapse, color and light qualities to create a material reminiscent of landscape painting. The sound collage uses fragments from sounds of nature and samples from a piece of music for violin and song, which are also transformed in a manner similar to that of the visual pictures. (Jürgen Reble)

Where We Are Heading(fr)

Paris, 2017: While the new president is being elected, the state of emergency lingers. It sneaks through the capital, on the lookout for old and new monuments to make its own. As the city struggles to regain its innocence, it gently slips its way into everyday life and seeps into the constitution.

Correspondence(es)

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

And my name is Marcel Gotlib ou Tout à la plume, rien au pinceau(fr)

Portrait of comic book artist Marcel Gotlib.

The Song of the Linen(nl)

Government ordered Industrial short documentary on the production of linen.

Elogio da Graça(pt)

Taris(fr)

Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.

Coast to Coast in 48 Hours(en)

Charles Lindbergh introduces this account of a trip from New York to California, by both train and plane, that took 48 hours.

Dust(pl)

The film follows the journey of the body and belongings of a recently deceased lonely person.

Born to Be Wild(en)

Born to Be Wild observes various orphaned jungle animals and their day-to-day behavioural interactions with the individuals who rescue them and raise them to adulthood. The film unfurls in two separate geographic spheres. Half of it takes place in the rain forests of Borneo, where celebrated primatologist Dr. Birute Galdikas assists baby orangutans; the other half takes place on the arid savannahs of Kenya, where zoologist Dame Daphne Sheldrick works with baby elephant calves.

The Dog Walker(sv)

Retired actor Lars-Gunnar Persson spends his days with his neighbor's dog, sharing memories of failed relationships and questioning what life might have been. It's a friendship that suits Lars-Gunnar because the dog, Zeb, is an excellent listener.

Ghost Bikes(en)

There are over 150 white-painted bicycles chained up throughout New York City. Each bike represents a cyclist killed in traffic - each is placed at the scene of the crash. Mirza puts up the bikes. He remembers these fallen cyclists when everyone else seems to have forgotten them.

Made in Miami(en)

Made in Miami is the story of Camila's journey from arriving in Miami from Cuba as a kid to finding her voice and releasing her debut album. The film explores how generations of strong women have shaped the Cabello family and inspired Camila to become the artist she is today.

The Nuclear Boy Scout(en)

David Hahn in the mid-nineties was a teenage boy scout working towards his merit badges. One badge in particular, the Atomic Energy Merit Badge, caught his imagination when it required him to make a model of a nuclear reactor out of cotton buds etc. David went further and sought out household sources of the materials he would need to make his reactor. Here he talks us through what he did and the surprising results he got.

The Big Sur(en)

This MGM short film narrated by Richard Burton promotes its upcoming major release "The Sandpiper" (1965), starring Burton and his then wife Elizabeth Taylor. Panoramic shots of the ocean, the seashore, and the desert segue into the artistic community with various of its well-known artists at work and play. It all leads to clips from the film being made.

The Road to Casino Royale(en)

Documentary that traces the tangled rights to Ian Fleming's "Casino Royale," the first James Bond story, which took over a half century to reach the screen in recognizable form.

Bis weit über's Jahr 2000(de)

The Bitterfeld lignite combine includes a large number of lignite plants, open-cast mines, power stations and briquette factories. The film presents several mining professions, shows miners' jobs, mostly in connection with modern mining technology, and points out the great prospects that mining offers in a wide variety of professions.

The Song of Stone(ja)

While extracting and polishing their blocks of stone, stonecutters used to say “the stone is coming to life". This paradox provided Matsumoto with the best metaphor for what making a film is all about. In his opinion, filmmakers work images in the same way that stonecutters work stones.