"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."
"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."
2025-01-31
0
When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Seven images, each staging their own disappearance.
James Nesbitt moved to New Zealand in 2011 when he landed the role of Bofur in Peter Jackson's Hobbit trilogy, but he says the country remains largely unknown to him. Travelling more than 1,000 miles from the tip of the North Island down to the South, the actor finds out more about the place he has called home, visiting areas of natural beauty and learning about the nation's history and traditions. Along the way, he meets former All Blacks player the late great Jonah Lomu, takes a trip around film star Sam Neill's vineyards in Queenstown, catches up with Peter Jackson and goes Base-jumping from the tallest building in Auckland.
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
The three speakers represent two of the dialects, with the most common one - the middle dialect spoken in Riga and central parts of Latvia - not featured in the film. In intimate surroundings, a farmer, a schoolteacher, and a herder of ostriches talk about perceived differences between Latvian speakers, and about language policy and their lives.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.
Innocent nature walk leads to a discovery of the morbid nature of humans.