An intimate discussion film, Self-Loving is a unique cross-cultural statement about female sexuality, focused around masturbation. Filmed in both city and rural settings, the eleven women of gay, bi-sexual and heterosexual lifestyles Share their early experiences, current patterns, use of vibrators, fantasies and orgasmic patterns. Specifically a film dealing with women's feelings and experiences of masturbation, it is a positive, in depth statement about women's Sexuality.
An intimate discussion film, Self-Loving is a unique cross-cultural statement about female sexuality, focused around masturbation. Filmed in both city and rural settings, the eleven women of gay, bi-sexual and heterosexual lifestyles Share their early experiences, current patterns, use of vibrators, fantasies and orgasmic patterns. Specifically a film dealing with women's feelings and experiences of masturbation, it is a positive, in depth statement about women's Sexuality.
1976-01-01
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0.0This documentary features candid studio conversations with people of diverse backgrounds from the Erika Lust community. They share personal experiences with self-pleasure, exploring why they masturbate, how their views have evolved, and what they were taught growing up.
0.0In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
8.0In 2018, can we speak freely about female sexuality? It all begins with a bold question: “What do French women do in bed?” The interviewees describe their sexual practices, their desires, and their boundaries. Are they more fulfilled and uninhibited than the generations before them?
10.0A documentary dissecting the life of times of Perell "Dreamybullxx" Brown, a struggling saxophonist, entrepreneur who wound up creating homoerotic content to mass controversy, damage and infamy.
This fun and witty documentary feature seeks to answer the decades-old question of whether the G-spot (named after German gynecologist Ernest Grafenberg) is a myth or reality. The film also tackles the question of its location within the female genitalia. Sparked by a study written by Andrea Burri (King’s College, London) in which she denounces the physical existence of a G-spot, narrator Ségolène Hanotaux sets out to interview numerous authors, citizens, subject experts, geneticists, and therapists about the subject matter thus sparking a renewed interest in this debatable arena.
This is the story of one simple invention, the vibrator, and its relationship to one complex human behavior, the female orgasm.
7.7A plea for the liberation of female sexuality in the 21st century. The film questions millennial patriarchal structures, as well as todays omnipresent porn culture. It accompanies five extraordinary women around the globe, reveals universal contexts and shows the successful fight of these courageous women for a self-determined female sexuality and an equal, passionate relationship between the sexes.
This documentary tells the story of three grandmothers who earn a living as prostitutes. Christel, Paula and Karolina either work in their own apartment, in a brothel, or receive clients at a dominatrix studio. They have no desire to justify what they do, nor do they make a show of their profession. These three women are engaged in a constant merry-go-round of slipping into different identities, selling dreams and trying to manage their own private life. Their multifaceted personalities make it clear just how differently they go about their trade, and what made them choose to earn their bread as a sex worker. The film provides an insight in to the lives of Christel, Paula and Karolina and their sometimes surprisingly middle-class routine.
5.0Freedom of expression and sexual liberation might have defined the 1960s but by 1971 the British education system was far from ready for Dr Cole's explicit series A New Approach to Sex Education. Made as a teaching aid for use in schools an universities, the Growing Up was unprecedented in its depictions of erect penises, un-simulated masturbation and intercourse to describe the development of the human body and sexuality to students.
4.4"Sticky" is everything your mother was too embarrassed to tell you about masturbation, in one stimulating documentary. Full of candid interviews from celebrated figures to everyday people, health care professionals, sex therapists, zoologists, anthropologists, and religious figures, this feature length doc answers age-old questions like: What is masturbation? Will it make me go blind? Is it "normal"? Is it wrong? And why are we so afraid to be caught in the act? In a world where confusion about sexuality remains at the root of so many societal problems - rape, sexual abuse, and the threat of sexually transmitted diseases - "Sticky" will help shatter misconceptions and myths surrounding this intimate aspect of human sexuality.
8.0A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.
This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.
6.6Topics about female sexuality are growing in popularity. Magazines and talk shows all discuss it. Yet a fair percentage of women are said to suffer from female sexual dysfunction. While male sexual problems have traditionally received the most publicity, only recently has research begun into the problems that plague female sexuality. This film looks at the medical, cultural, psychological and relational reasons for women's dysfunction, and explores female arousal and its anatomical basis.
0.0In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.
8.0An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.