This is Not a Film(2025)

Triumph and Ruins(it)

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Amelia 2.0(en)

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

Sky to Soil(en)

A young couple with conflicting desires for intimacy attempt to celebrate their one-year anniversary.

Deixa, João(pt)

Não Me Esqueças, Me Ame Para Sempre(pt)

Gegê wants to die but it will not be an easy task.

Jester(en)

A depressed Jester sets out across plague-ridden England to rescue the Queen’s nephew and prove he is more than a fool.

Heart Attack(en)

An orphaned and accomplished cardiologist, Dr. Khanyaqhawe Mabuyakhulu is challenged when she has found out she has to operate on Bheki, a man that killed her mother.

beer cans under my bed(en)

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Topper(en)

Once a top rising comedian, Topper quickly falls from grace and finds himself struggling to get by in the cutthroat comedy scene of LA. His inability to face and accept his childhood has kept him from progressing. After an unexpected visit from a ghost of his past, Topper must return to Detroit to face his past and come to terms with his demons, before his dream and possibly himself dies off.

Memories of Youth(en)

Grappling with the complexities of mental health and trauma in a digital age that feels isolating and overwhelming, a young person embarks on a surreal journey of self-discovery, navigating the raw truths of adolescence in an attempt to find a place in the world.

Three Walls and a Window(en)

A nuclear family sits in front of the television. The phone rings.

CIELO(es)

Santa, an eight-year-old girl from the desolate Bolivian Altiplano, embarks on a rollercoaster journey to take her mother from a life of misery into paradise. The two of them made a pact: when her mother passes, the girl would follow the stars and carry her body across the desert toward heaven, a place they are certain is physically real. Crossing the wilderness, Santa encounters a group of female wrestlers that help her on her way. Also, a gruff policeman who arrests Santa but soon suspects she has magical powers. He decides that to achieve his own salvation he must join Santa on her quest beyond the horizon.

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

The Internal Void of a Damaged Mind(en)

Absorción(es)

The emotional decline of a person after being the host of an energetic parasite.

Rosewater(en)

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Natchathiram Nagargiradhu(ta)

Love and politics collide when modern day individuals working as theatre artists in fall in love while making a play about love. They realize that it's the social structure that determines their values and thoughts, and for their love to succeed, they have to go against it.