A Day In LC(2024)

Astronomical Echoes(pt)

Made by film students, the short film is a tribute and authorial reinterpretation inspired by old Pink Floyd music videos as a psychedelic trip. Using overhead projectors to capture a liquid light show, the narrative is stitched together from a retro photograph, bringing a bit of 60s psychedelia with an air of nostalgia. With the combination of two of the band's songs ("Echoes" and "Astronomy Domine"), the music video brings the concept of the realism and ludic, of the present moment and insanity. Composed of characters who are part of a fictional band and travel through the delight of a mind that lives in the past while resting in reality.

We Didn't Start The C-Trash(en)

An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.

Ten thirty(en)

Ten Thirty is a song dedicated to David Robitaille's 18th birthday. Officially out of his childhood and in his adult life, as the music video's artwork shows with the colours fading into silverstone, but still having the same amount of creativity.

Remember me as Time(en)

An experimental short film about a woman who feels stuck in time after experiencing some form of trauma.

Saturnz Barz (Spirit House)(en)

The Gorillaz members enter the Spirit House for a mind trip.

Eyen(en)

Experimental short film that mix drawings of Jean-Luc Chansay's daughter with computer animation and sculptures of Marie Mercier.

Fantasia(en)

Head(en)

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

unseen existence(en)

A collage hosted by "The Pointless", a dying overlord.

Silent Passability (Ride to the Countryside)(en)

Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.

treefolk(en)

A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.

Tom Waits for No One(en)

In this rotoscope animation, Tom Waits sings about "The One That Got Away."

A Visual Poem(xx)

Surreal environments take center stage in this visual odyssey.

Heartstorm(en)

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

Music 4 Teenagers(it)

BAUS '93(ja)

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Deluge(en)

Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.

Feed The Birds(en)

A magician’s creation roams free in a city and explores its consciousness.

dei notturni splendori(it)

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

Mastodons: The First Encounter(en)

Join Anna and her friend Colby, the mouse, in an online adventure as they encounter the Mastodons: Musclehead, Tangler, Blazer and Crusher. They are fighting a fire that threatens two children and a nearby school!