Burn Me Back(2024)

PsiQuis: Un Giro Decolonial(es)

PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.

Nuestra Isla Nuestro Encanto(es)

These Heathen Dreams(en)

Once described by the press as "one of the most controversial figures on the Australian art scene", avant-garde poet and playwright Christopher Barnett achieved a level of notoriety in the Melbourne underground theatre scene during the ‘70s and ‘80s, before self-exiling to France. He remains there today, running an experimental theatre lab working with the marginalised and underprivileged, applauded by the establishment (including former French Prime Minister Jean-Marc Ayrault) and faithful to his belief that art can change the world. These Heathen Dreams is an intimate portrait of Barnett's life and revolutionary philosophy. Combining archival footage dating back to the ‘60s with contemporary observational documentation and text from Barnett's writings, it is a poignant and inspiring study of the power of both art and political activism.

Janko Kráľ(sk)

Anna Akhmatova (1889-1966) - Muse of Keening(en)

A short film by Barry Lowe and Dino Mahoney, starring Pauline Burton as Anna. The film is an introduction to the great Soviet era modernist poet, Anna Akhmatova; shot in winter in Saint Petersburg (Leningrad), it contains rare interviews with people who knew her, academics, and dramatized readings of some of her poems.

Burns in the USA(en)

Robert Burns was well aware of the revolution taking place across the Atlantic as he grew up. The poet was inspired. And America was to be inspired by him. From Abraham Lincoln to Frederick Douglass, and Walt Whitman to Bob Dylan, some of the most significant figures in American politics and culture have cited Burns as an influence.

Pedro Albizu Campos: Un hombre... un patriota...(es)

Short documentary about the life of Dr. Pedro Albizu Campos.

Chubai. Speaking Again(uk)

A theatrical documentary about Hrytsko Chubai, a genius of Ukrainian poetry, a connoisseur of literature, art and music and the brightest representative of Lviv underground culture of late 60s early 70s.

The Desperado from Kolsva(sv)

About Jösta Hagelbäck (1945-2009), Swedish film director, writer, poet, musician, actor etc. A human bipolar mixture of genius and madman. Invited to Hollywood, had an artistic hit with the film "Kejsaren/The Emperor" (1979) at the Berlin Film Festival.

Alternate Spaces(en)

A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.

Retratação(en)

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Fried Shoes Cooked Diamonds(en)

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

A Fanatic Heart: Geldof On Yeats(en)

A biography of the poet W. B. Yeats and his contribution to the Irish independence movement as a Protestant nationalist.

Artificial Roles(en)

Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?

Inger Christensen - The cicadas exist(da)

In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.

Sénac, Jean. Algérien, Poète(fr)

Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.

Richard Hugo: Kicking the Loose Gravel Home(en)

Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

Fernanda Pivano: A Farewell to Beat(it)

Anne Sexton at Home(en)

A fourteen-minute documentary splitted in two parts where we can see Anne Sexton at her home reading, talking about poetry and about her family.

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.