O Sumiço do Amigo Invisível(NaN)

Tossing a Nigger in a Blanket(en)

A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.

Harvey's Dream(en)

On a Saturday morning like any other, Harvey slumps into his chair and tells his wife about last night's nightmare. Fear takes hold when Janet notices the tiny details of Harvey's dream bleeding through into the real world around her.

Dams: The Lethal Water Bombs(en)

Documentary short about the disastrous dangers of aging, ailing dams.

I'm the Vet(en)

A story about my sister, Dr. Lindsay Eisenhour, one of the lead veterinarians at Neel Veterinary Hospital in Oklahoma City, battles the reality of her profession and of pet care.

Green Pink Caviar(en)

Models are seen licking brightly colored candy on a sheet of glass. The video illustrates the moment where clarity becomes abstraction and beauty commingles with the grotesque.

A Jupatarama(es)

Das Freie Orchester(de)

"The Free Orchestra" is a group of young people who have various careers, and get together in their free time to make music. Improvisation and original hand made instruments mark the group's style. The individual members of the band are filmed at their daily work life and at one of their concerts. A collage of sounds arises, which conveys their life feelings and experiences, in a satirical and grotesque language.

Back to school(ru)

Timofey hates September 1st—the pressure to study, the chaos of school, and everyone’s fake cheerfulness. But when he finds a mysterious book, "Magical Rituals and Spells," he tries a spell to never go to school again. The next morning, he wakes up to the same day: September 1st. Trapped in a time loop, Timofey must uncover the secrets of the book, face his fears, and learn that some days—and people—are worth repeating.

Naim and Wadee'a(en)

A documentary exploring social life in Yaffa before 1948 through a miniature portrait of a Palestinian couple, Wadee’a Aghabi and Naim Azar, constructed through the oral histories presented by their daughters and relatives.

Apocalypse Now Now(en)

Snarky, monster-porn-dealing teen, Baxter Zevcenko, might be a serial killer. His girlfriend, Esme, is missing, and he’s the prime suspect. To clear his name, he’ll turn to Cape Town’s grizzliest, drunkest bounty hunter, Jackson ‘Jackie’ Ronin. Little does he know that Ronin is a supernatural bounty-hunter, and that he’s about to be dragged headlong into a deep, dark Cape Town underbelly full of monsters and myth, shadowy government forces, bloodthirsty crow-men and a conspiracy across time and space.

La casa delle vedove(it)

LA CASA DELLE VEDOVE portrays a group of widows who, he thinks, lived in a constant ‘dialogue‘ with death. In the house where they all lived ‘every colour was saturated with that special reddish shade that you see everywhere in Rome, and furthermore the rooms were filled with a stale, musty smell.‘

Screen Snapshots (Series 1, No. 20)(en)

Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.

Space Miami: Abandoned Aerojet Everglades Rocket Factory(en)

In 1963 Aerojet-General built a rocket manufacturing plant in the middle of the Everglades. They were hoping to build rockets for the Apollo moon mission. The rockets were built and tested in a 150 ft. deep silo, the deepest hole ever dug in Florida.

Cherry Pop(en)

Cherry Pop was no ordinary cat. Beloved by her wealthy socialite owners, she lived life in the lap of luxury. Her taste for filet mignon and the comfort of Rolls-Royces made Cherry Pop a celebrity before her death in 1995. This delightful story will tickle your funny bone and touch your heart.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Last Interview(ko)

Mr. Baek, a job seeker, is vulnerable to sunlight. Despite his unusual illness, he is eager to get a job. Finally, today is Mr. Baek's last interview.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Donnie Darko(en)

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Song of the Years to Come(es)

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.