L'oro d'Italia(NaN)

I, Pastafari: A Flying Spaghetti Monster Story(en)

I, Pastafari is a documentary film about the world's fastest growing religion: The Church of The Flying Spaghetti Monster. R'Amen.

April, April!(de)

Businessman and shameless social climber, Julius Lampe, is subjected to a cruel April Fools’ Day prank when he is led to believe a noble prince intends to personally inspect his pasta factory.

Pastacolypse(en)

A billionaire celebrity chef seeks revenge on all mankind when a global ban on gluten destroys his life. In the process, Alfredo Manicotti is disfigured into a hideous creature, half-man, half-macaroni, and leads a pasta uprising that threatens all of humanity. It’s up to his spoiled heiress daughter, the angel-haired Emma, to make the ultimate sacrifice and save the world from the impending pastacolypse.

Cover Up(en)

Ciao Alberto(en)

With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.

Luca(en)

Luca and his best friend Alberto experience an unforgettable summer on the Italian Riviera. But all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.

Pasta Mista(de)

WELCOME TO MY HOME(ko)

Kyo-hwan was not invited to the housewarming of Seung-jo and Soo-kyung today.

Gavin Serve(en)

Gavin Serves

Strawberry Cake(tr)

Onur is a pastry owner who passionately loves making pastries. He makes a strawberry cake everyday but he never sells it. He reserves that cake for the woman whom he will fall in love with. One day, famous actress Burcu Burkan visits his pastry shop for shooting a scene. This meeting gives them an opportunity to cross their paths with each other but Burcu has a secret.

Jason's Famous Homemade Mostaccioli(en)

In the wake of their father's death, two siblings must decide if they will honor his eccentric final wish.

Zero Budget(en)

Looks at the emergence of lesbian feature filmmakers in the U.S. and how they produce films on a small budget. Interviews with directors Rose Troche (Go Fish); Sharon Pollack (Everything Relative); and Alex Sichel (All Over Me) as well as producer Dolly Hall, executive producer Christine Vachon and writers Sylvia Sichel and Guinevere Turner.

Jack of Three Trades: In Focus on Nicholson the Director(en)

We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.

Freight(nl)

Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.

Elective Vicissitudes: The Radical Exiles of Jules Dassin(en)

In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield on Uptight, a "politically radical" film noir about Black revolution, framed against the April 4 assassination of Dr. Martin Luther King, Jr. Director, producer and co-writer Dassin, a blacklisted American exile, returns to his birth country after having gone into a second exile from his adopted country Greece, then makes a film that roiled the powers that be (or "powers that were") in the U.S. government. The material so upset the FBI that they closely monitored the production up until the eve of its premiere, recruiting crew members as moles. The irony is rich, as Uptight was a remake of John Ford's The Informer (1935) and dealt with a turncoat character who engineers the assassination of a revolutionary leader. How is Uptight both an outlier (or anomaly) as well as simultaneously integral to the career of Jules Dassin?

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger(en)

Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?

Entre Vitrais e Orações(pt)

Galeria Alaska(pt)

Clear Lines of Sight: Sidney J. Furie at Paramount(en)

Canadian-born filmmaker Sidney J. Furie made his name with British hits like The Young Ones (1961), The Leather Boys (1964), and The Ipcress File (1965). When he arrived in Hollywood, Marlon Brando and Frank Sinatra wreaked havoc on his first major studio productions. In 1968, the newly emigrated director joined a stable of cutting-edge filmmakers at Paramount Pictures, under the new leadership of Bob Evans. His films saw both a stylistic departure and a shift in thematic focus. What was behind the evolution, and which aspects unite all of Furie's films?

Okoru Saigyou(ja)

Having worked in a wide range of fields from children's TV animation scripts to 'pink' films, independent auteur Okishima Isao directs and stars in this documentary. Upon hearing that the walkway along the Tamagawa Aqueduct, one of his favorite spots, was going to be closed to make way for a new road, he gathered his crew to document the scenery. Okishima gives accounts of various painters, writers, and manga artists, as well as his personal take on Saigyo, the traveling poet and Buddhist priest of the late Heian Period.