1929-01-01
0
A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.
On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.
When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.
Gerald Stanley (John Gilbert) is an English gentleman who is engaged to Beatrice Joyce (Alma Frances). But Stanley's personality changes whenever he drinks, and his brother (who also loves Beatrice) uses this to his advantage.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
One of the earliest cinematic adaptation of Chinese classic novel Journey to the West. When seeking for food alone, Tang Xuanzang was kept prisoner by seven spider monsters who took the form of seven beautiful women. The Monkey King and the other two of Xuanzang's disciples managed to rescue him with the help of Avalokitesvara Bodhisattva/Guanyin. They renounced the desire for lust and continued the quest for Buddhist Scriptures.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
In the tradition of such classics as NOSFERATU & HAXAN, and with a dash of early American film (Famous Players Film Company, D.W. Griffith, etc.) comes GARDEN OF SOULS. A horror photoplay in that harkens back to the old tinted silent films of yesteryear. Partly filmed on-location in Hollywood before Hollywood -- Fort Lee, NJ. Dedicated to film pioneers D.W. Griffith and Mary Pickford.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
A man comes to the beach with one goal: digging a hole. But what he finds beneath will shock him.
The Tenant continuously fails to escape his deadly apartment under five minute time limit as his blood-thirsty neighbor threatens to break in and exterminate him.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
A group of jaded 1920s socialites defile the shrine of an ancient, evil sect and suffer horrific consequences as a result. Screened publicly only once, this film is considered lost as the answer print was badly damaged following its premiere screening. No other prints are known to exist, though fragments and still photos have surfaced from time to time.
In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.