

Shows how to use and care for crayons and some of the crayon techniques. Explains creative drawing, poster making, imprinting a design on cloth and other crafts.


Shows how to use and care for crayons and some of the crayon techniques. Explains creative drawing, poster making, imprinting a design on cloth and other crafts.
1952-01-01
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10.0An artist had a vision for art and expressed it in his paintings, fashion designs, and photographs. He created a virtual reality exhibition and virtual reality artworks that people could experience and feel.
0.0Dubai - the city of controversies. Six individuals go through personal insecurities, cultural pressures, money issues and the hustle of staying true to who they are. In the world that says otherwise. Is it all really worth it ? The film touches upon Arab identity, female role in the world, family values, Islam.
10.0A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
0.0An intimate portrait of David Hockney, featuring interviews with the artist - one of Britain's most beloved painters - in London and Normandy, and exclusive new footage of a master at work.
0.0The celebrated British artist discusses his life and work with Melvyn Bragg in his Normandy studio, revealing his influences, inspirations and plans to keep on painting.
0.0Using over 50 years of archive footage, this film looks back at the life and career of David Hockney.
0.0Filmed in his London studio, David Hockney sits down with Melvyn Bragg to discuss his remarkable life and career, illustrated by a wide range of his vibrant and joyous artworks.
0.0An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.
Tribal Strands is about two self-made Brooklyn hair artists, who create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.
0.0Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in February so that you can enjoy both film and exhibition together. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts.
A short documentary on how people view art and its value in today's society.
0.0Melbourne-based Stelarc burst into prominence in the early 1970s with confronting, and outrageous public art performances. Following his mantra that ‘the body is obsolete’ he set about testing the limits of his own body in a series of death-defying stunts. Stelarc has always fought to escape the force of gravity. A third arm, an extra ear, a cheeky prosthetic head and an ambidextrous hand all play parts in this lively biopic as Stelarc wrangles the intersection between humanity and technology.
5.0H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?
6.0This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.