
A film motivated by nothing (but daily life and (my) vision). It represents nothing, it signifies nothing. There’s no hidden meaning, no defined subject, no predetermined objective. Inside and outside. Just angles, textures and flashes of color. A whole different empire of vision, impossible to be put into words. “Nothing” as anything outside common visual knowledge, anything that defies the logic of naming the world; a possibility for a new way of thinking; of dealing with our visual world.

A film motivated by nothing (but daily life and (my) vision). It represents nothing, it signifies nothing. There’s no hidden meaning, no defined subject, no predetermined objective. Inside and outside. Just angles, textures and flashes of color. A whole different empire of vision, impossible to be put into words. “Nothing” as anything outside common visual knowledge, anything that defies the logic of naming the world; a possibility for a new way of thinking; of dealing with our visual world.
2024-02-23
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4.7"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.
0.0Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.
0.0An experimental film revolving around how an artist perceives a man and a woman.
0.0Actors Isabella Lafin and Rafael Grendene reharsing a scene from the movie Marriage Story (2019).
0.0The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
0.0Period pain varies greatly in terms of its form and intensity. It is not easy to describe in words, and it is often trivialized and dismissed. This film aims to break this taboo and visualize the feeling of having a period based on personal experiences, making it more tangible.
0.0visual album, mixed digital media, archival footage, and ghosts
6.9Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
10.0The emotional decline of a person after being the host of an energetic parasite.
0.0The film follows a girl born during the Iranian 1979 revolution, growing up amidst war and global events, leading to her breakdown and subsequent healing through self-care.
After so many generational repetitions and beneath so many layers is a territory to be negotiated beyond each person’s skin, inside: the cavity that echoes the intimate and singular identity of everyone. The voice that populate this film bring us to various spaces in Matera, from tourist agglomerations to the town’s internal spaces (grottes, caves, cisterns, lanes, rooms) and the body’s own unassailable space: pleasure and desire for other bodies that no one can cancel.
9.0A woman comes to terms with her life on her last day in town.
6.0In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.