Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.
Himself
Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles.
A poetic portrait of a blind father with a bright perspective on life, who is strongly determined to deliver his message to the world.
Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.
One of the most controversial subjects of the 1980s, the AIDS epidemic ended thousands of lives across America. This video, entitled What is AIDS helps educate the youth of America about the deadly disease.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.
Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.
When Gordon Gund went blind in 1970 at age 30 due to retinitis pigmentosa, he resolved to find a cure for the disease and created the Foundation Fighting Blindness. After decades of scientific research, a major breakthrough emerged, and this short film showcases the inspirational story of a 17-year-old Belgian boy who is a beneficiary of this work.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
Learning can be fun! This package of woman-to-woman safer sex videos features a spicy batch of public service announcements (PSAs) and an international sampling of smart and sexy erotic videos, including Girls Will Be Boys, a drag king date where they skip dinner and a movie; and the silent horror spoof, Cunt Dykula. She's Safe! also features excerpts from Well Sexy Women, the first British-produced lesbian sate sex video; and excerpts from the bold, German-produced Truth or Dare. She's Safe! contains the hottest and most educational safe sex videos ever compiled.
Could film gelatin, a 16mm film camera, 3 lenses and film developing chemistry experimentation act as messengers between the spirit and the physical world? a one day trip to the remote town of Panguipulli (Chile) seeks to explore possibilities and to also expand on the power of audio frequencies as a healing instrument. A manifestation of the hummingbird movement? A connection between mind, landscape, sound, latent image? A replication of Rukapillan volcano’s intermittent flows of magma through fissures on the earth’s surface? -Colibri- erupts 16mm single frame experiments & bursts smoke and sonic healing vibrations
AIDS, Inc. is a film about the multi-billion dollar AIDS industry, and how it profits from continuing fears and misconceptions about the disease.
Voices of Positive Women is a ground-breaking documentary examination of the impact of HIV and AIDS on the lives of women working from material published in the book "Positive Women", a collection of personal accounts of women from all over the world living with AIDS and HIV. Bravely sharing their experiences publicly in what until now has been a void of information and support, and in some cases medical and bureaucratic denial that women are even at risk, the nine women presented in Voices of Positive Women speak compellingly on their own terms of their personal struggles for survival and voice.
Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.
Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.