Short film about the career opportunities at the highest training institution of the NVA, the Friedrich Engels Military Academy
Short film about the career opportunities at the highest training institution of the NVA, the Friedrich Engels Military Academy
1976-01-01
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Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
Ultrarunners overcome every kind of hardship. During her first run of the season, Mirna Valerio has to silence those who think she's not fit for this sport.
Computer animation and footage from NASA space missions explain how our solar system evolved and the place Earth has within the system.
A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.
Can two strangers really fall in love by asking each other 36 psychologist-approved questions and staring into each other's eyes for four minutes straight?
This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.
Short documentary about Twin Peaks: The Return.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.
Two days before John Lennon was shot, British journalist Andy Peebles did a long radio interview with Lennon and Yoko Ono, and now explains what happened.
A doctor persuades a group of boys to be vaccinated by explaining how it will protect them against disease. Animated sequences depict the body metaphorically as a city, defended by the blood cells, which are stimulated by vaccination to amass arms and ammunition, in order to defend the city when it is invaded by germs.
World War II propaganda film on the importance of American farming. A morale booster film stressing the abudance of American agricultural output.
Documentary short film demonstrating the process by which waste fats from the kitchens of American homes can be transformed into the raw materials for explosives for the war effort.
This animated documentary outlines the history and importance of corn in North America.
Disney animated educational film about staying safe from disease.
Javier Lopez is an actor. Like so many others. Like nobody else.
The original screenplay told the story of a young man from the countryside with a city education: a boorish, violent character filled with a desperate, purely urban unease. Dekeukeleire transformed him into a butcher who commits an act of rebellion during a political demonstration at the foot of the Yser Tower (with authentic images of the 1930 meeting) which is being suppressed brutally by the authorities. White Flame secretes a drifting air of unreality straight out of Buñuel, born out of 'carnal' close-ups and an editing style which owes a great deal to Soviet films of that period.
In this film House Of Xmas produced by BRAVÒ NYC, directed by Aurélien Heilbronn and envisioned by Dazed we hit the streets of NYC with the city’s ball culture babes for an intimate insight into how they celebrate this time of year with the close friends that they consider family.