The hives of Hampshire are the centrepiece of this tour of the county, from Aldershot to Bournemouth and all points in between.
Narrator
"Honey Hunters" is a life story of bees and people. In order to get to the bottom of the mysteries of the life of bees and show them to the audience, the camera enters a contemporary hive and a traditional wild beehive drilled in the trunk of an old tree. It wanders the forests in Poland and Ural, mountains in Nepal and... roofs of Paris and Warsaw. For millions years bees have been laboriously building the natural environment of our planet. These days, they started to die by millions. A programme of wild tree beekeeping reintroduction was launched in Polish forests. It has been an ancient local tradition. Maybe reaching for the past, the original model of coexistence of bees and people, for wild tree beekeeping, can help us to save the bees? After watching “Honey Hunters” everyone wants to have their own beehive and harvest their own honey!
As the "Murder Hornet" makes national headlines, a small town crew of beekeepers and scientists band together to protect their quiet Washington community from the dangerous invasive species.
Take two towns steeped in war, tragedy and violence add a deep passion for local football and pit them against each other and you have one hell of a Derby Day. It's the South Coast derby. Perhaps the rarest played major derby in the UK and certainly one of the most ferocious, thanks to two cities and sets of fans who have a hell of a lot of passion, pride, and personality as well as an edge you wouldn't want to cross. It's Portsmouth v Southampton for the first time in seven years, in the third round of the Carabao Cup and just like every other time they've met, there’s going to be scenes.
The best of the action from over 30 years of FA Cup finals at Wembley Stadium.
It's a warm spring night, and the bee cowboys of Prince Edward Island begin rounding up their hives.
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
An examination of the surprisingly morbid world of 17th and 18th century Slovenian beekeeper drawings to guide the bees back to the right hive.
A film to mark 100 years since the founding of the Twickenham & Thames Valley Beekeepers Association, a charity that promotes beekeeping in West London, Surrey and along the Mole Valley.
Anthropocene is a part of video trilogy – History of Impossible Destiny – which focuses on the fate of the species UN declared the most important for the survival of Earth – the honey bee (Apis mellifera). By documenting beekeeping activities Makela reveals how intrinsically anthropocentric our attitudes are, and how this affects the process of subjucating the honey bee into a condition of exploitable natural resource. Thru a sensitive, intimate and prolonged observation Makela discovers surprising behavior inside and outside the hive, which she offers as a set of dialogues that bring humor, poetry, reflection and an insight into the fantastic dimension of this species.
A short contemplative documentary on beekeeper Charlie Koenen and the importance of urban beekeeping.
Jawaher was a farmer with her father when she was young, and a beekeeper in old age. Beekeeping to her is a way to overcome life's difficulties. Despite the difficulties she's facing; the economic situation, climate change, and wars, she's still sticking to her source of livelihood to save a living.
Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...
In the Tuscan countryside, a family of traditional honey farmers struggles to make ends meet. The household consists of only daughters—four of them—led by the eldest, Gelsomina, who takes on the responsibilities of the family. When a small boy is sent to stay with them for rehabilitation, their routine is disrupted. As financial troubles threaten their home, Gelsomina sees an opportunity in a reality TV contest searching for 'Italy’s Most Traditional Family.' Willing to expose their secluded life for the prize money, she clashes with her father’s rigid ways in a bid to secure their future.
A strong-willed woman not only dominates her family of California winegrowers, but also has a strange hold on a colony of bees in her vineyard.
Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.
Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.
A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.
In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.
Velvet Underground's first public appearance.
During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.