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Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.
For decades, performance artist and writer Kate Bornstein has been exploding binaries and deconstructing gender. And, her own identity. Trans-dyke. Reluctant polyamorist. Sadomasochist. Recovering Scientologist. Pioneering Gender Outlaw. Kate Bornstein Is a Queer and Pleasant Danger, joins her on her latest tour capturing rollicking public performances and painful personal revelations as it bears witness to Kate as a trailblazing artist theorist activist who inhabits a space between male and female with wit, style, and astonishing candor. By turns meditative and playful, the film invites us on a thought provoking journey through Kate's world to seek answers to some of life's biggest questions.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
Brazilian documentary about the pioneers Ary Severo (director, screenwriter, actor and screenwriter) and Almery Steves, his wife (actress of famous Recife Cycle films)
Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?
A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.
Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.
An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.
Based on testimonials from key characters, such as Dona Onete, Manoel Cordeiro, Pio Lobato, among others, in “Terruá Pará”, director Jorane Castro leads us into a deep dive into the diversity of Amazonian music, providing moments of enchantment and emotion.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
To the sound of Politicar (Tom Zé) we follow human beings altered by their environment, becoming something new. Through this aesthetic, the short seeks to explore man's stance in relation to his environment and the idiosyncrasies, hypocrisies and positions that come with this interaction.
PLURAL is a journey through the intricate construction of identity. Guilherme Terreri and Rita Von Hunty unfold to explore the fluid boundaries of the integral self and human expression.