What happens when two hands touch? How close are they like? And how can proximity be measured, and even more so, in times of a pandemic and distancing? We think we touch things, that we can take other people by the hand, but physics tells us quite another story.
Herself
What happens when two hands touch? How close are they like? And how can proximity be measured, and even more so, in times of a pandemic and distancing? We think we touch things, that we can take other people by the hand, but physics tells us quite another story.
2020-10-13
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Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world. Forest Mind tackles the underlying concepts that distinguish the Indigenous knowledge systems from that of modern science, gaging the limits of rationalism which has dominated Western thinking for the last 200 years. Located in the tropical forests of southern Colombia and told from a personal perspective, the narrative takes up diverse strands of research from the intelligence of plants to the importance of the territory as a sentient and cognitive entity. Drawing on scientific as well as shamanic perspectives of engaging with the world, the project takes an ecocentric worldview. (Video Data Bank)
In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short story. Drawing a comparison with her own life experiences, she questions what it means to be a lesbian. Excluded from every aspect of the patriarchal life, she creates her own identity through her loved ones, relying on the precursors of the lesbofeminist movement.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
Secrets of a Soul: Margarethe, Creator of bizarre sculptures! Night club dancer? Mad woman? Victim of an occult conspiracy?! Dark menaces steal her soul and organs. Though dead they keep her alive...
A diary-cum-thriller-cum comedy-cum-horror film shot on an iPhone (RIP BlackBerry!) for zero dollars with friends, IN SEARCH OF GLADYS GLOVER was born in the darkness of winter in a post-pandemic 2022 after a fateful 35mm screening of George Cukor’s NYC classic IT SHOULD HAPPEN TO YOU (1954). Indebted to the spirits of Larry Cohen, Anne Charlotte Robertson, and New York City herself, IN SEARCH OF GLADYS GLOVER is a time-shifting journey about the disorienting feeling of being in the city the past few years. It’s a movie for everyone who wakes up each day and continues to put one foot in front of other—laughing often, crying often, watching as many beautiful films and sports games as possible, aimlessly walking the city streets alone, making art, hanging with good friends—but ultimately doesn’t understand what the fuck is going on anymore.
This short film shot in a small town in Sweden navigates themes of nostalgia through an original monologue, reflecting on gender identity struggle and the pursuit of a new beginning in a foreign land.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
Alone, during Christmas morning, Leah has an encounter with the ghosts of her past and her family traumas.
Who Will You Be When the World Ends? - When it is announced that the world will end in 7 years, a young woman must decide what is truly important to her in life and what she is willing to sacrifice to reach her goals.
47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.
In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).
Chen Cheng-Tsai works primarily in video art, photography, and mixed media installations. This work was created during his postgraduate studies in Germany. The trees rotate 360 degrees, and the artit's face reflected in the water, distorted by the ripples, iss overlapped by the trees. The sound of a bell also plays a continuous rythm.
A ritual about"memory". The words and phrases written on the paper are easy to understand but difficult to define, substituting the usual " incantations to gods". The spat out red matter suggests kind of "refusal". This kind of "nauseous" mixture combined with these moods represents a space : a space for painting.
"Stillness" is a question about movement. The movement of small and unfathomable human existence. Its shots were born unintentionally, as intuitive captures of insignificant times and spaces: a staircase, a dark passage, the vast beach, an unexpected rain. The editing later intertwined them into an intimate and existential narrative, a voice that resonates in search of meaning.