

0.0Jeff Healey Live from House Of Blues Atlanta 1989. Includes Jeff Healey band member and Andy Scott from The Sweet
0.0Jeff Healey Bluesband Live At Notodden Blues Festival Norway, 2006-08-05. What makes Jeff Healey different from other blues-rockers was also what keeps some listeners from accepting him as anything other than a novelty -- the fact that the blind guitarist played his Fender Stratocaster on his lap, not standing up. With the guitar in his lap, Healey could make unique bends and hammer-ons, making his licks different and more elastic than most of the competition (from back cover)
This fascinating film tells the story of one man's struggle to protect a small population of gorillas on the slopes of Mount Kahuzi in Zaire and of his incredible relationship with Kasimir, the great silver-backed male, and his family.
6.1An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
7.2Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
7.4A wanna-be blues guitar virtuoso seeks a long-lost song by legendary musician, Robert Johnson.
Dorothy Morrison, Tracy Nelson, Annie Sampson and Angela Strehli, all highly regarded vocalists in their own rights, have joined forces as The Blues Broads. Their self-titled debut CD/DVD set includes both familiar songs associated with their respective august careers, as well as newly written material that underscores the creative might of these four remarkable women. Reflecting more than two centuries of collective experience in blues, country, gospel and rock, this awesome aggregation is nothing less than a roots music "supergroup" of the first order.
4.0Eric Clapton is widely considered one of the greatest blues guitarists of all time. He played with The Yardbirds, a seminal 60s blues-rock band that would go on to become Led Zeppelin, before recording an album that is known as one of the greatest blues-rock albums ever made, with John Mayall and the Bluesbreakers. He went on to form three supergroups in quick succession. This film features his live performance at Budokan in Tokyo, Japan on February 25, 2009.
5.2Doug Sahm a/k/a Sir Doug was both a Texas rock & roll legend and pioneer. True, there were others before him (Buddy Holly and Roy Orbison come to mind), but the Sir Douglas Quintet counterattacked the British invasion of the mid 1960's with their own brand of Chicano-influenced rock that they had been playing around their hometown of San Antonio. This performance, recorded October 14, 1975, came after Doug had temporarily retired the Sir Douglas name, but features original member Augie Meyer along with musical compadres Martin Steitle, John Barber, Steve McDaniels and Harry Hess.
5.3Finally released from prison, Elwood Blues is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops.
6.0The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.
6.4Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
10.0Taken from the European tours organised for American blues musicians between 1962 and 1969, this release features performances by several popular blues artists, including: Big Mama Thornton, Roosevelt Sykes, Buddy Guy, Dr. Isaiah Ross, Big Joe Turner, Skip James, Bukka White, Son House, Hound Dog Taylor and Little Walter, Koko Taylor and Little Walter, Sonny Terry and Brownie McGhee, Helen Humes, Earl Hooker, and Muddy Waters.
0.0An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.
5.0Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.
6.0Taken from shows in Belfast and Dublin during the December '84 Irish Tour, filmed and produced by NFL Film's Phil Tuckett, Emerald Aisles captures Gary Moore and his band at their 1980s very best. Also features the 'Out In The Fields' promo video.
7.2This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
6.7This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good.