A documentary featuring the stories and lived experiences from the Windrush generation in Wales. Through personal narratives, it explores their remarkable journeys, challenges and contributions to Welsh society.
"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.
After World War II, many young French women became housewives, convinced that devoting themselves entirely to caring for their families was a noble mission and a means of personal fulfillment.
In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.
Guy Debord's analysis of a consumer society.
PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.
Exclusive two-disc film documenting the British and Irish Lions tour to South Africa in the summer of 1997. The unprecedented behind-the-scenes access to the team shows the preparations, the training, the fun, the team selection, the 'earthy' language, the bonding, the awesome task of playing and some shocking footage of injuries. Despite securing the series with wins in the first two tests, the Lions remained motivated by the prospect of a 3-0 whitewash, a feat never achieved against the Springboks throughout the century.
In times of environmental crises and human beings’ growing alienation from nature, some thinkers are questioning the prevailing anthropocentric view: What space for animals in our very human world? This documentary features human philosophers Viciane Despret and Baptiste Morizot as well as the dog Alba and the wild horse Stipa.
A look at the history of the Statue of Liberty and the meaning of sculptor Auguste Bartholdi's creation to people around the world.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
Following the historically smoggy Polish winter of 2016/2017, a Warsaw father of an asthmatic son searches for answers about why air pollution continues to be a major problem in Poland - and why solving the problem is easier said than done.
The National Truth Commission, installed in 2011 to investigate crimes committed during a military dictatorship, brought to the public a still very obscure chapter of our history: the existence of an indigenous detention center in the city of Resplendor (MG), called Reformatório Krenak . First installed within the territory of the Krenak ethnic group, and later transferred to Carmésia, it imprisoned and tortured not only Krenak indigenous people, but several other ethnic groups such as the Pataxó, imposing restrictions on their ancestral practices under relentless surveillance by the military. The documentary shows how this concentration camp worked, and the consequences of this collective trauma for the affected indigenous peoples.
Located in the United Kingdom, the Principality of Wales, home to 2.5 million people, is filled with rolling mountains, and green valleys. Because of its culture and language, it is unique within the UK. Much of the economy is based on small independent farms, but also includes coal and slate mining. Its many castles - including Caernarfon and Conwy - comprise its most famous built landmarks. Another landmark is the Menai suspension bridge - spanning the Menai Straits - the longest such structure in the UK. As Wales is a largely coastal jurisdiction, the Welsh have taken advantage of water opportunities, whether it be for fishing, or for recreation at one of the many coastal resorts, such as the most famous, Llandudno. There are also mountain resorts, such as Betws-y-Coed. Mount Snowdon, the highest peak in Wales, offers great hiking and climbing opportunities.
In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?
WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.