American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Joseph de Rocher
Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.
Amid a future war between the human race and the forces of artificial intelligence, a hardened ex-special forces agent grieving the disappearance of his wife, is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war—and mankind itself.
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
An intimate portrayal of a quest for love and acceptance at any cost, Q depicts the influence of a secretive matriarchal religious order on filmmaker Jude Chehab’s family and the unspoken ties and consequences of loyalty that have bonded her mother, grandmother, and herself to the mysterious organization. A love story of a different kind, Q is a multigenerational tale of the eternal search for meaning.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
Chad is a fighter who seeks to be the best without losing his principles. In the search for his dream, he meets Vincent, a millionaire businessman who tries to fix Chad's fights so that he loses.
Seely, a sadistic ride-share driver, gets off on killing his passengers, but meets his match when a rider refuses to go out easily.
Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.
Dr. Mikami is an elderly somewhat clumsy, very popular therapist, his patients turn to him with all possible and impossible questions. Because Dr. Mikami's specialty is sexual clarification... The world's best-selling sex literature was filmed here in a manner close to the original. And the openness of the image shows the shocking conflicts of young people in scenes that were never filmed. Shocking documents about sex life from the doctor's office.
A short film about how things can beautifully, yet rapidly, go downhill in the subtlest of ways.
Famous educator Fernand Deligny tries to find ways to communicate beyond language with troubled and autistic children in his care.
A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.
A fictional story within the historical context of the disastrous flood that engulfed the Dutch coastal province of Zeeland in 1953. When their farmhouse is destroyed by the flood, teenage mother Julia gets separated from her baby boy, whom she kept hidden in a box. She is saved from drowning by a young air force lieutenant, who agrees to go help looking for Julia's little son.
An extremely passionate kathakali artiste falls in love with a mohiniyattam artiste and their blossoming affair gives rise to a new and unique form of art.
After Jimmy breaks up with Theresa, her obsessive mother Mary tries desperately to rekindle their relationship, even hiring a hitman to kill Jimmy when bribing him fails.
A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.
Aris was the perfect husband and ideal family man. That is, until his sister-in-law moves in and they begin a forbidden affair.
A surreal movie by peter Weigl starring Michael Biehn and Lubomir Kafka.
Two teenage girls with parallel lives but coming from different socio-economic backgrounds meet one summer to discover friendship and a sexual awakening.
A married man meets a beautiful woman and they begin an affair.
Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.
Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of "Timur the Tartar", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat. This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.
Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.
Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.
The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.
John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).
The movie begins in the year 1995 where there were 5 peculiar murder cases. The murderer would always get someone close to the victim to witness how he would strangle the victim from behind with a rope but he would let the witnesses go and speak to the media on how the murders happened. Ito plays the role of Makimura, the police detective who was in charge of investigating the serial murders but failed to catch the cunning murderer and his respected superior ended up being killed as well. 22 years later in 2017 when the case is nearing its statute of limitations, a man named Sonezaki claims to be the culprit for the 1995 murders and even publishes a book titled "Watashi ga satsujinhan desu" to talk about the cases. Despite the disgust towards Sonezaki's actions, the intensive attention showered on him via the media and SNS makes him become the talk of town.
A Mother is devastated when her sailor son is murdered by two of his crewmates in a homophobic attack.
Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.
After transferring to the same elementary school, Takaki and Akari became best friends.However, their lives change when the families of both are forced to relocate. After a year of separation, Takaki is about to reunite with Akari. As he sits on the train from Tokyo, memories of the past rush through Takaki's head, his meeting time with Akari drawing ever closer. Takaki and Akari begin to wonder if they will ever be able to see each other again, and share their secret feelings. Join Takaki on a journey into three interconnected tales of love and lost innocence that span the minutes and months of their lives. Live-action adaptation of Makoto Shinkai's anime film of the same name.
Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.