An investigation into the extraordinary life and work of B. Catling, an eye-popping insight into the late-flourishing career of a maverick artist, teacher and performer.
Self
Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
American Herro is the remarkable story of a young Kurdish girl who comes to America as a refugee from Iraq and lives out the American dream. 30-years later, traveling the globe working for Condoleeza Rice, U.S. Diplomat Herro Mustafa invites her first American friend, filmmaker Kirk Roos, to visit Iraq and retrace her steps to freedom.
A young girl is trying to relate to her grandmother's death which quickly becomes more than a personal loss.
In Zongolica's Mountain Range, in the mexican state of Veracruz, naturally dyed wool yarn and excellent quality textiles are produced. Women are the ones in charge of working and teaching the art of weaving textiles with the waist loom technique. Everyday with perseverance and wisdom they masterfully wave their lives and future.
A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.
Four unrelated moments following a young cat wandering the living room of her house.
For over thirty years, between Paris and Rome, Chloé Barreau has been filming her love life. While in a relationship, she would already build its memory by filming, taking pictures, writing about it… but what do her exes remember? What is their side of the story? This film traces a woman's life, based exclusively on the interviews of people who loved her. Intimate testimonies and private items reveal the universal paths of the feeling of love.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
Upon a visit to UVM's Lane Series in the Spring of 2022, Jean-Francois Alcolea offered to conduct a workshop to UVM film students and others on his piece, "Right in the Eye". A group of students from FTS 141 Video Production, teamed up to document the day and Jean-Francios' magical performance. They all left with a smile.
Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.
Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious