A teenager leaves his classmates and heads home for the evening. Feeling frustrated and lonely, he sends a neutral text-message to a friend. From this point, this one-man DV experimental film presents a real-time exchange of incoming and outgoing messages, depicting a digital-era study of text-message relationships. Letter is the directorial debut of Japanese artist, filmmaker, and scholar Sasaki Yusuke when he was only 17. The film screened at the 2004 International Film Festival Rotterdam and won the Grand Prix at Image Forum Festival Tokyo in 2003. Sasaki holds a doctoral degree from the Tokyo University of the Arts and is currently a lecturer at Tottori University.
A teenager leaves his classmates and heads home for the evening. Feeling frustrated and lonely, he sends a neutral text-message to a friend. From this point, this one-man DV experimental film presents a real-time exchange of incoming and outgoing messages, depicting a digital-era study of text-message relationships. Letter is the directorial debut of Japanese artist, filmmaker, and scholar Sasaki Yusuke when he was only 17. The film screened at the 2004 International Film Festival Rotterdam and won the Grand Prix at Image Forum Festival Tokyo in 2003. Sasaki holds a doctoral degree from the Tokyo University of the Arts and is currently a lecturer at Tottori University.
2003-11-05
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An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
A couple of months have passed since the serial murder case. A new dead body is found in the same area. Detective Manabu Kagaya tries to find the truth. He goes to see serial killer Yoshiharu Urano in prison.
A talent manager loses his handphone which contains a scandalous video which could destroy his career. He is then contacted by a mysterious caller who has found the phone and blackmails him into committing a series of crimes.
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
Devastated and powerless as she watched the 2020 Beirut explosion and its aftermath from afar, Lebanese American choreographer Dolly Sfeir set about creating a work to express her delicate state of mind. IT CRIES TOO LOUDLY, is a dance film exploring the overlap between joy and tragedy in her tumultuous home country and the experience of being an emigre.
This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.
A man stuck inside his house during a worldwide lockdown starts to lose not just his friends, but also his sanity.
Eight years after the devastating tsunami, the wounds it left in Japan have still not healed. In her touching search for answers, Haru sets out on a long, eventful journey to her home town, where she lost her family in the flood.