Amandastraße 73(1981)

Images of Ostend(fr)

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.

The Brontë Business(en)

Joan Bakewell visits Haworth in Yorkshire, home of the Brontës, to see the setting in which the novelists worked.

Temporarily Exiled(ru)

A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.

Hearing Films(en)

Hearing Films is a portrait of Joe Sidarose, a blind film lover who experiences cinema through sound, rhythm, and feeling. His world of film is shaped by voices, music, and the spaces between them, where stories come to life in ways beyond sight.

Lumière des hommes(fr)

Following the example of an entomologist watching the behavior of insects Edmond Bernhard scrutinizes the doings and the words of a priest - assisted by his choirboys - in the process of saying his mass.

Waterloo(fr)

However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?

Neděle(cs)

Joan Crawford's Home Movies(en)

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

The End Times: In the Words of Jesus(en)

Jesus Christ spoke of signs that will announce the most catastrophic period in our planet's history: the seven years called the Tribulation!

Que es un Fantasma?: The Making of 'The Devil's Backbone'(es)

The making of “The Devil’s Backbone” by Guillermo del Toro.

With Tired Theodore to the Putte's Mill(sv)

The old bus "Tired Theodore" came into service in 1954 and operated for long periods along the line Lumparland - Mariehamn. One summer day a number of older people had gathered for a bus ride along the winding country roads in Lumparland, and to relive old memories. At the same time one of the locals, Putte Karlsson, took up a large project: rebuilding the old mill in Lumparby. The mill was owned by his grandfather, skipper and farmer in the village. Sawmills previously existed in many villages in Åland Islands but today they are no longer in use. It is a big challenge and many are skeptical that Putte will put everything to work.

The Forest and The Sea(en)

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

Children of the Night(en)

Silent archival footage of Jewish children during the Holocaust, accompanied by music and poetic narration. A haunting portrait of a future generation lost to cruelty and genocide.

Strangers in the Dark(fi)

Strangers in the Dark is an experimental film about how light pollution makes a glow-worm’s love life a living hell. Combining different techniques from animation to archive material the film follows glow-worm’s attempts to find a partner in an environment that is no longer dark at night. The story about light and darkness moves from the scale of planetary to microscopic, from the calmness of nature to a hectic city and from artificial light to the green shimmer of a glow-worm’s behind.

Balz und Paarbildung bei der Stockente(de)

The film begins by depicting the social courtship of the drakes. With increasing intensity of the instinctive movements actual pair formation is reached and mating follows, accompanied by prelude and postlude. The fight of the males follows and finally the attempt of a rape.

Kristallwachstum(de)

Experiments on the crystallization of various inorganic substances: crystallization from solution, crystallization from melt and vapour phase, mixed crystal formation, oriented growth, change from a metastable into a stable phase.

Actinosphaerium eichhorni EHRBG.(de)

On display are the movement structures of Heliozoa, the expulsion of food remains, plasmogamy, separation and temporary bridging, "phobia".

Pomological(en)

In 1886, the United States Department of Agriculture ambitiously commissioned watercolour illustrations of over 3,000 fruit cultivars. In 2019, this collection was digitized. Mesmerizingly detailed, these images now tell an incredible story about the little-known talent of botanical illustrators, and how their work planted the seeds for intellectual ownership over agricultural innovations.

Slaughterhouse(en)

Documentary about a slaughterhouse in Quito, where hundreds of people and entire families work everyday. The smell of the place is warm and penetrating, the noise is intense, everything is red. Would that much effort and death have an ulterior purpose?

Borderlands(en)

With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.