The film, Al Tudi Tuhak, is a creation story inspired by the art and mythology of the Northwest coast people. The story involves the creator, or "The Great Father" as he whittles the world into existence. Each of his wood shavings became fish, trees, birds,... even the sun and moon.
Narrator (voice)
Canterlot high will be hosting a competition between schools, and Vice Principal Luna needs a new banner design for the occasion. She tasks three students to design it: Flash Sentry (a musician), Micro Chips (a science nerd), and Sandalwood (a New Age-style artist)
This is the story of a thousand-year-old tree, resilient ambassador of Nature and silent witness of History. The lives of men and women slip under its fronds, often unaware of how much their existence depends on its presence. This is the story of s'ozzastru and of the generous and solid land that welcomed it. In 2021 in Sardinia, a thousand-year-old wild olive tree burned. This fire devasted 70.000 acres of land and houses. Thousands of animals died, suffocated or burned alive.A year later, the tree sprouted again, becoming a symbol of resilience. Every year, around the world, 7 millions of acres of land are destroyed in over 60.000 fires, almost all caused by human hand.
Two egg-shaped clown performers try out new ways to impress audiences.
High school student Aoi Aioi lives with her elder sister, Akane, after a tragic accident took their parents away 13 years ago. Because Akane has since been taking care of her single-handedly, Aoi wants to move to Tokyo after her graduation to relieve her sister's burden and pursue a musical career, inspired by Akane's ex-boyfriend Shinnosuke "Shinno" Kanamuro. Shinno was part of a band until he left for Tokyo to become a professional guitarist after the sisters' parents passed away, and he was never to be seen again.
In this hyper-realistic digitally rendered video, sandwiches are assembled in sequence. Each component, from the first slice of bread to the last, is dropped dramatically from a height, before bouncing and settling into place in slow motion. Mayonnaise, then ham, lettuce, tomato, cucumber, and the final slice on top. This perfect yet uncanny choreography reads like an exaggerated, perverse take on ‘food-porn’ obsessed advertising campaigns. These sequences repeat, the sound gradually incorporates saws and machinery, echos from empty environments, pianos breaking, smashes, crashes and mechanical crescendos like jet engines alongside eerie drones, bells, and hard rummaging noises. Another piece of bread lands, some rubber baby dolls fall onto it, some brown slop, a blanket, denim jeans, some businessmen in suits, and more slop. Ketchup, then a union jack, all encased in the final layer of bread that falls to the top of the pile to the sound of a tolling bell. Infinite continuation, loop.
A meditation on isolation through paint textures, video collage and sound
A surreal, experimental, minimalistic animated film that dives into the inner recesses of creativity, imagination, longing and inspiration. Taking place from the somber point of view of a young wizard as he lives out his day, watching over a little town. Le Geniaque pays homage to Georges Melies and 1920s silent films in general.
The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.
Trapped in their frames and monitored by a menacing curator, two paintings long to escape from the art gallery's white walls. As the paintings lock eyes across the room, an unspoken connection between them sets the stage for revolution. With a distinctive blend of live-action and animation, this short film by Evan Bode employs surreal metaphor to explore ideas about power, resistance, queer identity, visibility, and liberation from constructed borders.
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself.
Following their success in the qualifying round for the Kansai regional competition, the members of the Kitauji High School concert band set their sights on the next upcoming performance. Utilizing their summer break to the utmost, the band participates in a camp where they are instructed by their band advisor Noboru Taki and his friends who make their living as professional musicians. Kumiko Oumae and her friends remain determined to attain gold at the Kansai competition, but trouble arises when a student who once quit the band shows interest in rejoining and sparks unpleasant memories for the second-year members. Kumiko also learns about her teacher's surprising past and the motivation behind his desire to lead the band to victory. Reaching nationals will require hard work, and the adamant conviction in each student's commitment to the band will be put to the test.
Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
Black and white animation based on Munch's art of work. The image changes gradually and resembles at one point The Scream.
An animated telling of Kobe Bryant's titular poem, signaling his retirement from the sport that made his name.
500 years into the future, the earth is a dry wasteland destroyed by humans. Doctor Alma, a fluffy, brilliant Vulkeet (a cross between a parakeet and vulture) who drives a Vespa, must cure the only creatures left who can save the world by bringing back the rain - the bizarre and loveable Homeys who have fallen ill with a mysterious sickness.
An unpublished painting, the meeting of two geniuses in a single painting arrives to the museum at a rainy night. The museum caretaker observes the work of art being brought to the lounge where it will be exhibited to the public. The wet box drips on the paint, the paint softens and releases the conjoined painters who walk around the museum intervening on the works of art in a Cubist and Surrealist manner. The caretaker "chases" our painters in a classic cartoon chasing, using the Renaissance mechanisms to restore the order.
A little girl is taken on a mind-bending tour of her distant future.