Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited
Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited
1977-01-01
10
Maayandi, the only farmer in a village that has abandoned farming, is charged with a petty case that leads to his imprisonment.
The president of a farmers' association wants to set up a community farming initiative and takes on a big shot, who wants to destroy his plans so that he can start a bio-diesel project on the land.
Faced with a series of terrible incidents, the Dela Cruz family now has to make a decision that will alter the history of their family.
Vellai is a farmer from an economically self-sufficient village. But when he and the villagers take a bank's crop loan, they get caught in debt due to drought and low prices for crops. So few desperate farmers migrate to the city in search of a job. Can they pay off their debt? Or will they give up farming?
Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.
A widowed and bankrupt farmer is being harassed by crooked creditors. Cornered, he steals a large sum of money from them to offer his daughter a future he cannot guarantee anymore. Knowing all too well the mob will not let this pass, the farmer finds refuge in his beliefs and summons the Ankou - Death's henchman in Brittany - to offer his life in exchange for his daughter's protection.
A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.
1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.
The documentary follows the trail of fruit and vegetables from the shopping cart back to various cultivation areas throughout Europe. The entire supply chain is revealed via a system that includes the inhumane exploitation of harvest workers and agricultural businesses. The aggressive pricing policy of the supermarket groups, their "lowest price promise", has established a modern form of slavery in Europe.
Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.
Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.
Lavanya falls in love with Raghava, a salon owner, but is heartbroken to hear that he is married from his assistant. Thereafter, Raghava takes his friend Balaraju's help to win her back.
Karl Breitman, obsessed with the notion that he is a descendant of Napoleon, is driven to restore the monarchy in France. To accomplish this, he courts Hedda Gobert, who, he has learned, possesses Napoleon's papers. Upon winning Hedda, Breitman steals the documents, which lead him to America and the home of Admiral Killigrew where, the papers allege, the emperor's hidden wealth resides.
Puritanical Abel Blake is planning to marry the domestically oriented Joan when she is called away to a neighboring fishing village to care for her sick uncle. In her absence, Abel falls under the corrupting influence of some friends who take him to Ryan's, a notorious dance hall, where he meets seductress Glory Prada. Glory determines to make a conquest of Abel, who gradually falls under her spell and finally marries her. After learning of the news, Abel's mother dies of grief and Joan marries Dave, a fisherman.
The true story of an operation which was a revolution, not only for the world of medicine. Frankfurt 1967. A young doctor called Lisa Scheel is trying to get a foothold in the male-dominated world of transplant surgery. But after she is passed over by her main professor in favour of a male applicant, on the spur of the moment Lisa heads off to Cape Town. Here, she starts work for Dr. Barnaard, who, like his colleagues in Frankfurt, is planning a heart transplantation. Together with the surgeon Hamilton Naki, who due to apartheid can only join the team secretly, Lisa is a major contributor to the first heart transplant in history.
For the sake of his impoverished mother, Joe Newbolt bonds himself to harsh Isom Chase. Ollie Chase tires of the difficult life her husband has forced on her and plans to elope with Cyrus Morgan, but Joe's sense of honor forces him to intervene. While Joe is trying to persuade Ollie not to proceed with her plans, Chase discovers him with his wife, misunderstands, reaches for his gun, and is accidentally killed. Joe protects Mrs. Chase, though he is accused of murder, tried, convicted, and sentenced to be hanged.
Bhagavanth Kesari's life takes an unexpected turn when he becomes the guardian of Vijaya Lakshmi aka Vijji, daughter of his jailer. Kesari, with his unwavering sense of justice, embarks on a journey to nurture Vijji into a resilient young woman aspiring to join the Indian army. Intertwined in this narrative is the presence of Rahul Sanghvi, a power-hungry tycoon whose connection with Bhagavanth and Vijji, unravels hidden secrets.